Frank Stella has died. He’s the one who said, “What you see is what you see,” with reference to painting (his painting, at least), a slogan someone described as “pithy and enduring.” I liked it so much I had it … Continue reading
The most terrifying exercise I know is to calculate how many seconds I can expect to live. I refuse. Never send to know for whom the clock ticks. It ticks for thee (not me). I heard my dad in his … Continue reading
Commentary blogs, or clogs, are thriving. There’s also a raft of ‘fluencer blogs, or flogs, out there. The difference between clogging and flogging can be subtle. In general the flogger is covertly, if not overtly, selling something; the clogger is … Continue reading
Call it the agony of the long-distance reader. There’s a lot of verse out there. It’s hard to give any one text a non-cursory read. On occasion there’s a specimen I’d like to flounder around in, nudge and knock about, … Continue reading
The artist Jim Nutt has been making a version of this imagined portrait for the last 40 years, a mode that has dominated his practice… His women never age, never seem to dislodge from a midcentury stylistic amber: all wearing … Continue reading
Last December The Times published an article about an exhibition at Columbia University’s Wallach Art Gallery, titled “Partisans of the Nude: An Arab Art Genre in an Era of Contest, 1920-1960.” The show spotlights 85 rarely seen works in the … Continue reading
This gallery contains 1 photo.
Things need to work themselves out.A round of unkinking is due.Mistakes were made. Put a few fires out. Make nice again.Fast backward to the good times.Park the ordnance. Cool your jets. The killing, the killing, give it a rest! LOLBled … Continue reading
Over her 38-year career at The Times, Ms. Smith cultivated a reputation for intimate observations conveyed in accessible prose. I became a critic in the same way a lot of people become critics: by immersing themselves in a subject and … Continue reading
It’s possible to attribute eccentric form to lineated discourse that’s unscannable. Discard capitalization, italics and punctuation. What’s left is line. Lines have their element, like a fish its water, in white space aka page space. The writer commandeers spacing as … Continue reading
Training Color to Speak for Itself
Inspired by the theorist Michel Eugène Chevreul — whose 1839 treatise on color harmony is on display in this show — Sonia [Delaunay] and her fellow pioneers in abstraction had to train the individual elements of color, such as contrast … Continue reading →