“Storm With a Silent Mist”

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Huffpost.com. “Images courtesy of Patrick McMullan and Getty.”

Isabel Toledo died last week of breast cancer at the age of fifty-nine. Judith Thurman pays tribute to this “designer’s designer” who described couture as a language which she had learned “as a child does, by immersion.”

Self-possession is usually an acquired patina, but Toledo’s was bred in the bone, and it often came across as reticence—the same economy of expression that she brought to her drafting table… A great dress, Toledo once said, has to surprise you with “a rush of feeling,” by which she seemed to mean the feeling of being happy with yourself. Was she happy with herself? Her business partner, husband, and soul mate, Ruben Toledo, described her as “a storm with a silent mist.”

Two days after her death, Ruben wrote:

“Izzy was a contrarian even to herself. Her true medium was unpredictability. If she sensed a cage was descending on her, she spread her wings fast and was gone.”

(Judith Thurman, “Remembering Isabel Toledo, A Designer With Few Peers,” The New Yorker, 9-4-19)

(c) 2019 JMN

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“She’s Got It Down”

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Ms. Saar in her studio in Laurel Canyon. Credit Erik Carter for The New York Times.

The work of ninety-three-year-old artist Betye Saar will be shown concurrently this fall at the Museum of Modern Art in New York and the Los Angeles County Museum of Art. Her assemblages, illustrated in this article, are charming and compelling.

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“Sketchbook 1998,” at the Los Angeles County Museum of Art. Credit Betye Saar, via Roberts Projects, Los Angeles.

My favorite words from her mouth are the following: “You can’t beat Nature for color, She’s got it down.”

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And “Supreme Quality” (1998), the assemblage based on the sketch. Credit Betye Saar, via The Rose Art Museum, Brandeis University; Tim Lanterman/Scottsdale Museum of Contemporary Art.

The theme of the deserving artist, long neglected, who achieves belated recognition while still living is low-hanging fruit for the art journalist. I suspect that the story lurking behind the neglect of Saar’s work is glimpsed in the following words of Ann Temkin, MoMA’s chief curator of painting and sculpture:

“For the most part (and with notable exceptions) until this past decade we were not looking in the directions where we would have found Saar’s work. And speaking personally,” she added, “for that reason now is such an inspiring and rewarding time to happen to be a curator.”(Holland Cotter, “‘It’s About Time!’ Betye Saar’s Long Climb to the Summit,” NYTimes, 9-4-19)

Speaking personally, do I detect in Temkin’s remark a bit of understatement around an institutional legacy of turning a blind eye to artists from certain “directions”? No matter. She happens to be a curator now inspired and rewarded to be looking in Saar’s direction.

(c) 2019 JMN

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Do NOT Surprise Your Mom

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The mother said she… saw someone running into the bedroom, at which point she fired her .38 special handgun, hitting her daughter once…

“If you realize someone has a gun for protection, and they’re not expecting you—announce yourself when you enter the home, or even if you’re getting up to get a drink of water in the middle of the night, just announce yourself….”
(Police Chief John Norman of Girard, Ohio)

“Ewan Palmer, “Mother Shoots Daughter After She Came Home From College to Surprise Her,” Newsweek, 9-4-19)

The concept of waking up the household to issue a “getting drink of water” announcement has zany appeal. The same protocol would apply to toilet visits and midnight refrigerator raids. Sleepwalkers beware, however! (The daughter was shot in the arm and is recovering.)

(c) 2019 JMN

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Nay, Nay Now. Period

“I am NOT going to use the evil acts of a handful of people to diminish the God-given rights of my fellow Texans. Period. None of these so-called gun-control solutions will work to stop a person with evil intent […] I say NO to ‘red-flag’ pre-crime laws, NO to universal background checks, NO to bans on AR-15s or high-capacity magazines. NO to mandatory gun buy-backs […] YES to praying for victims.”
(Texas State Congressman Matt Schaeffer on Twitter, 31 August 2019, 9:35 PM)

(Quoted by Richard Parker, NYTimes, 9-1-19)

(c) 2019 JMN

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Sexual Fantasies

Adverbs Ahead

Humour Ahead

“My greatest sexual fantasy is just to have regular sex in my own apartment. But, in my fantasy, my apartment has a washing machine and a dryer.”

(Mark Cognata, “Sexual Fantasies of Everyday New Yorkers,” The New Yorker, “Daily Shouts”)

(c) 2019 JMN

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Impacted

Attorney General Paxton Statement on the Odessa Shooting

AUSTIN – Attorney General Ken Paxton gave this statement after receiving news of the horrific shooting in Odessa, Texas:

“I am horrified to see such a senseless act terrorize the fine people of the Permian Basin. Thank you to the courageous local and state first responders who worked quickly today to stop this evil attack. I have asked my law enforcement division and my crime victims services team to assist in any way necessary. Please join Angela and me as we pray for comfort for those who have been impacted by this violent act.”

This bulletin landed in my inbox at 6:24 PM on 31 August 2019, as news was still breaking of a mass shooting in Midland and Odessa — 5 fatalities, 21 wounded and counting. Today, on 1 September, the fatality count has risen to 7.  Also today in Texas new laws further easing restrictions on guns go into effect.

(c) 2019 JMN

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Arabist

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Tools.

WARNING
A long and wonkish post. Probably not your cup of tea.

BACKGROUND
I strove for years to read Arabic. I’ve largely lost what knack I attained. A recent brush with the language brought back how daunting it can be. For my own amusement I revisit my flustered campaign to be an “Arabist.”

TRANSLITERATION
I will use my eccentric transliteration for Arabic words, not the official one, which demands exotic characters from the International Phonetic Alphabet.

ROOTS
To look up an Arabic word in the dictionary you must analyze what its “root” consonants are. Typically there are three; sometimes two; rarely four. You look up the root to get at the word.

VOWELS
Arabic has three short unwritten vowels: ‘a’, ‘i’, ‘u’. Their lengthened forms ARE written. I represent them thus: ‘aa’, ‘ii’, ‘uu’.

WEAK CONSONANTS
The long vowels double as “weak” consonants. “Alif” looks like a capital sans-serif ‘i’. Crowned with a diacritic called “hamza” it’s a glottal stop (I use an apostrophe for it) voiced with any one of the three vowels. Think “asp-eek-oof.”

For weak consonant’Y’ think “yap-yeast-youth.”

For weak consonant ‘W’ think “wacky-weevil-woo.”

FIRST WORD
Here’s the first word of the mystery sentence we’ll attack:

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KH-w-n-(t)

Discard the ‘(t)’. It’s a feminine noun ending. The ‘w’ is suspect, could be a lengthened vowel. Let’s hope it’s a root consonant and look up KH-w-n in our dictionary. We find there is such a root, which revolves around the semantic range of treachery. Now we must scan the derivations from this root to find the word that appears in our text. We come upon this sequence:

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KHaa’in(un)

This is the present participle of the first derived verb form (there are 10 common derived verb forms). My Hans Wehr dictionary lists the following meanings: disloyal, faithless, false, unreliable, traitorous, treacherous, perfidious; traitor. Now, this doesn’t look exactly like our word, you are thinking, and you’re correct. Note, however, that our present participle has two “broken” (non-regular) plurals:

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KHuwwaan (first broken plural of KHaa’in)

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Khawana(t) (second broken plural of KHaa’in)

And in the second broken plural we see it. That could be our word! We’ll peg with the meaning traitors so as to keep it in our head. Without more context we can’t be sure of anything yet. It’s rare in Arabic for there to be a single morphological analysis on which to hang one’s hat. But we’re ready to continue our sleuthing on the second word!

(c) 2019 JMN

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“Reach Out from Within”

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Helen Frankenthaler in her studio “in the woods” in Provincetown, 1968. Working on the floor, she poured thinned paint directly onto raw, unprimed canvas, a technique that established the Color Field movement. Credit Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York; J. Paul Getty Trust; via Alexander Liberman Photography Archive; Getty Research Institute.

Karen Rosenberg writes that this exhibition of Helen Frankenthaler’s work at the Parrish Art Museum in Water Mill, NY,

“presents Provincetown [Massachusetts] as more of a psychic space, one of negotiation and self-discovery, with new family responsibilities but not too much structure — a “desired void,” as Frankenthaler wrote in a 1962 letter to [fellow artist Grace] Hartigan. “I hope to reach out from within and grow rather than give up and stop.”
(Karen Rosenberg, “‘Abstract Climates’: Helen Frankenthaler’s Ode to Provincetown,” NYTimes, 8-29-19)

A “desired void”! Frankenthaler had a way with words as well as paint.

Clement Greenberg suggested in 1950 that she study abstract painting in Provincetown with Hans Hofmann. I’m intrigued by the distance she travels from her small oil titled “Provincetown Bay” (1950) …

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Frankenthaler’s “Provincetown Bay,” from 1950. Credit Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York; via Portland Museum of Art.

to paintings such as “Orange Breaking Through” (1961).

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Frankenthaler’s “Orange Breaking Through,” from 1961. Credit Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York; Collection of Audrey and David Mirvish.

Paraphrasing Rosenberg, cautious, muted gray-greens and a distinct horizon line give way to simple black outlines disturbed by unwieldy splotches of tangerine and crimson. It’s an exhilarating reach.

(c) 2019 JMN

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The People’s Receiver

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Guglielmo Marconi Posing. Mental Floss.

Bret Stephens has commented on how the relatively new technology of radio was received enthusiastically in 1930s Germany. Effort was made to produce and distribute a cheap radio — the Volksempfänger, or people’s receiver — “that could bring the Führer’s voice and message into every home.” (“World War II and the Ingredients of Slaughter,” NYTimes, 8-30-19)

I think of the Volksempfänger as the Volkswagen of radios, hearkening back to a Beetle — the people’s car — that drew hard service during my student days.

It’s fun to muse speculatively on the arc from radio to Twitter. In the annals of mass communication, television may go down as an intervening blip, a mere enhancement of radio leap-frogged by Jack Dorsey’s Marconi-level hop.

Dorsey called his invention “Twttr.” He emitted the first tweet in 2006: “just setting up my twttr.” On 15 July 2006, TechCrunch reviewed the new Twttr service:

Odeo released a new service today called Twttr, which is a sort of “group send” SMS application… People are using it to send messages like “Cleaning my apartment” and “Hungry.” (“Who Invented Twitter?” ThoughtCo)

And here we are, cleaning our apartments. Thank you, @Jack.

(c) 2019 JMN

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The Few, the Proud, the Readers

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Jim Mattis in March 2018. He resigned as defense secretary in December. Credit Mark Peterson/Redux.

“If you haven’t read hundreds of books, you are functionally illiterate, and you will be incompetent, because your personal experiences alone aren’t broad enough to sustain you.”

(Marine General Jim Mattis, from his new book “Call Sign Chaos,” written with Bing West)

(Quoted by David Brooks, “Jim Mattis and the Formation of Character,” NYTimes, 8-29-19)

The command to Read! coming from a leatherneck of General Mattis’s standing carries a certain weight.

(c) 2019 JMN

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