Waters on Embracing the Infuriating

john waters

Mr. Waters with, from top, “Silver Clock” (2012), by Doug Padgett; “Untitled (Hammer)” by Lee Lozano (1962); and “Pier Paolo Pasolini and Mother” by Vittorio La Verde. Credit Eric Chakeen for The New York Times.

John Waters answers an interviewer’s question about the art he collects.

“Besides liking the work, what guiding principles do you follow in collecting?”

It has to sometimes, at first, make me angry. It has to delight me and surprise me and kind of like, put me off a little bit at first, and then I embrace it. The kind of art I like is the one that makes people angry, that hate contemporary art — the ones that easily fall for the bait of it. I always go to that first… So to me, each one of these pieces relaxes me and makes me tense at the same time — which is what art should do. All art that works infuriates people at first.

(Melena Ryzik, “John Waters, the Man Who Brought Us Divine and Loves Brown Art,” NYTimes, 5-23-19)

Petulant style note: In reading the article’s title I had to pause for a moment to recall that “Divine” was an actor in Waters’s film “Pink Flamingos.” A set-off such as quote marks — “Divine” — or italics — Divine — would add clarity. Just saying, as they say.

(c) 2019 JMN

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Parting Looks — Buck Schiwetz

Edward Muegge “Buck” Schiwetz (1898 — 1984) (c) 2019 JMN

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Parting Looks — Buck Schiwetz

Edward Muegge “Buck” Schiwetz (1898 — 1984) (c) 2019 JMN

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Guide by the Perplexed — Mind Over Method

gris guitar

Juan Gris, “Guitare sur une table,” from 1916, at Helly Nahmad. Credit via Helly Nahmad Gallery.

Pinterest thinks I’m interested in quick-and-dirty guitar:

“This article will show you the best method ever of how to efficiently learn and memorize the notes on a guitar neck in the shortest amount of time.”

I’ve seen the exact number of labeled guitar necks and chord diagrams I need to see.

My game is different: Not to memorize but to understand. It’s inefficient and rigorous and takes an unseemly “amount” of time. The notation is symbolic, not pictorial. Here’s C-major barred on fret 8, for example (there’s no capo where we’re going):

(6-8C)(5-10G)(4-10C)(3-9E)(2-8G)(1-8C)

Think index into an array if that helps. Notice the focus on note produced — string-fretNOTE — not finger placement. The chord’s anatomy is captured, not its fingering.

How surrender to the perplexed method may affect your playing is beyond my purview. The drills you do that matter most will be mental, not manual.

(c) 2019 JMN

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Parting Looks — HJN

Harold J. Nichols (1924 — 2013) (c) 2019 JMN

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Parting Looks — HJN

Harold J. Nichols (1924 — 2013) (c) 2019 JMN  

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Parting Looks — HJN

Harold J. Nichols (1924 – 2013) (c) 2019 JMN

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“Rived”!

scott morrison

Prime Minister Scott Morrison delivering his victory speech in Sydney, Australia, on Saturday. Credit Tracey Nearmy/Getty Images.

Rived by years of infighting….

(Editorial Board, “An Electoral Brush Fire in Australia,” NYTimes, 5-20-19)

Past participles in this opinion piece flutter the heart of a nerdy grammaticist.

I rarely read or use the verb “(to) rive,” which I think of as “(to) split.” A cautious Google dip confirms that meaning. The usage example also confirms my predisposition toward “riven” as the past participle: “the party was riven by disagreements over Europe.” (Google)

Things change. I’m happy to live with “rived.” I’m sure it has passed muster with the style czar or czarina at the NYTimes. One wonders if “given” will ever give way to “gived.” Or has it already, and I missed the memo? I think we Yanks are winked at by the Brits for hanging on to “gotten” where they’ve moved on to “got.” Archaisms are stubborn in the colonies.

But there’s more in the way of participles to enjoy here:

… Climate wars have… rent electorates into bitterly opposed camps…

There it is: “rent,” past participle of “(to) rend” meaning “(to) tear.” Indeed, Google gives “rent” as a synonym of “riven” (or “rived”). Splitting and tearing seems to be on the minds of the Times editors today.

Following “rived,” by the way, we would expect “rended” and “teared” instead of “rent” and “torn.” Consistency, however, is not the hobgoblin of language, as it is of small minds.

To end, there’s a folksy Aussie slogan in this column that’s pure fun:

A fair go for those who have a go…. [Prime Minister Scott Morrison]

I don’t know exactly what the slogan means — slogans rarely mean anything anyway — but to an American polluted by a lifetime of advertising it’s impossible not to think of an ad campaign in which cute cartoon bears extol the delights of using a certain brand of toilet paper for personal hygiene:

“Everyone goes. Why not enjoy the go?”

Everyone indeed. We can safely say that no electorate is rived or rent over this particular “going.”

(c) 2019 JMN

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Parting Looks –15 by HJN

Works by Harold J. Nichols, 1924-2013. (c) 2019 JMN

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Furiouser Than Thou

burned church

St. Mary Baptist Church in Port Barre, La., was destroyed in a fire. Credit William Widmer for The New York Times.

Margaret Renkl writes from Tennessee. Her anguish over what she calls the racist and misogynistic travesty that is endemic and persisting in southern society is palpable in the column cited here.

Renkl cites recent instances of atrocities committed by southern citizens and legislatures, but also defends her culture from the uninformed abuse that can lash back unfairly from “outsiders.” Unsurprisingly, her example comes from Twitter bilge:

“It’s really easy to #BoycottAlabama because who the [expletive] would ever want to go to that redneck [expletive] on purpose?”

And she usefully cites numerous instances of noble, constructive initiatives that bloom throughout the region. Her balancing is clear-sighted and eloquent:

It’s not that I don’t understand the anger [of non-southerners]. The fury of a blue-state outsider can’t possibly touch the fury of someone like me — someone who lives in one of these states, someone who is actually subject to these dangerous laws.

Renkl’s emphasis on “touch” connotes extremity of feeling. I share it. I receive daily at least one bulletin concerning reactionary measures enacted by state government that are cynically corrosive to the general good and profoundly regressive.

It’s saddening that one must ponder one’s own fury in relation to that of outsiders… or be furious at all. I struggle to believe with Ms. Renkl “that what you see coming out of statehouses and frat houses down here isn’t… the only true South.”

(Margaret Renkl, “Shame and Salvation in the American South,” NYTimes, 5-20-19)

(c) 2019 JMN

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