
Isabella Rossellini and Friends
I read once somewhere that much of the violence inflicted upon the world is at the hands of young men who have never held a job or a girl’s hand.
For some reason the comment comes back to me with a sad ring of truth. Perhaps it’s triggered by the fact that today my son, a highly trained Navy nurse, is being deployed to a war zone.
Too many young men throughout the world are trapped in circumstances which, at a pivotal time in their development — adolescence and early adulthood — give them little or no outlet for the restless energies and ambitions that come awake in those years. Their cultures stifle them with lack of education, lack of careers, and with social and institutional mores that do not facilitate, perhaps even actively discourage, constructive interaction with females.

One-Woman Riot
Such men, in their young prime, stew with impotence, boredom and frustration; they become marks for exploitation by older men of a different sort — ideologues, fanatics, criminals, tyrants, myrmidons. And of course a percentage of the exploited young men turn into the next generation of thugs who exploit… young men.

Woman Conversing With Riot Police
It’s hard to see a way out of the global syndrome of undeclared wars, endemic conflict, and fleeing masses of people unless and until the reactionary, repressive, defensive measures widely resorted to by governing entities give way to attempts, however tentative, to remedy the underlying causes of dysfunction and turmoil at their source. Those causes are tiresomely familiar in the recitations of fools like me: poverty, ignorance, injustice, gender discrimination, greed…. The litany begins to sound almost biblical.

Close Encounter.
I resist most impulses to use my little blog for venting about inconvenient perceptions that don’t obviously correlate to art or language. I lost this particular skirmish with myself, but I’ll carry on the fight to say mostly nice things here and save despair for my pillow.
Copyright (c) 2018 James Mansfield Nichols. All rights reserved.








Enough About Me
JMN2016, Puckering, oil on canvas, 16 x 20 in. (c) 2018 James Mansfield Nichols. All rights reserved.
The Supreme Court in its five-four wiseness has ruled that money is speech and therefore protected under the “free” clause. I rule that image is language and therefore commentable under the “thoughts on art and language” clause. And thus I find that no matter how Zuckerberg cloaks his t-shirt with coat-and-tie he still looks and feels and parses like an underage Ken Doll minted in Silicon Valley, callow, shallow, deer-caught-in-the-lights-eyed, unwrinkled, banged, you know the look, it’s all over Kardashistan, and I respect him all the less for not having achieved a diploma from Harvard, so he’s rich, yes I’m envious, and yes I continue to shun F’book like bad breath, like the only-slightly-less-evil twin of Twitter, and a pox-de-deux on both their goonytunes, not on Z’berg personally, I don’t even know him, but yes, hard feelings.
Copyright (c) 2018 James Mansfield Nichols. All rights reserved.