Tag Archives: style

Ann Lauterbach’s ‘Door’: Trouble Me, Poet

Posted on March 20, 2023 by JMN

A noun or pronoun, with a participle in agreement, may be put in the ablative to define the time or circumstances of an action. This construction is called the Ablative Absolute… The Ablative Absolute is an adverbial modifier of the … Continue reading →

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Drawing in the Dark

Posted on March 10, 2023 by JMN

… As a young artist living in Georgia, he spent nights alone in a dark room, teaching himself to draw without the meddling of his eyes. Unlearning is still a kind of learning. (Jackson Arn) (Jackson Arn, “Cy Twombly, the … Continue reading →

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Gender Reveal Vagary

Posted on March 8, 2023 by JMN

The byline for a good essay in The New York Times is “Abraham Josephine Riesman,” tagged as follows: Mx. Riesman is a journalist and the author of a biography of Vince McMahon. It’s my first encounter with “Mx.” in The … Continue reading →

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To Be or Not to Be That, Is the Question

Posted on February 22, 2023 by JMN

You’ve been punctuated! In my title, moving the pause (caesura) signaled by a comma turns Hamlet’s proposition into something different. Whatever “that” may be, being it or not being it is what’s now in play. The New York Times publishes … Continue reading →

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Can This Be Poetry? It’s Direct, Clever and Fun!

Posted on February 20, 2023 by JMN

Poetry, February 2023, celebrates William J. Harris (still living). Reading the issue’s portfolio of Harris’s poems gave me some laugh-out-loud moments. Here are two (in full): On Wearing EarsAs long as peoplecontinue to wearearsthere won’tbe muchpeace and quietin this world. … Continue reading →

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The French Are Okay with Being ‘The French’

Posted on February 11, 2023 by JMN

“We recommend avoiding general and often dehumanizing ‘the’ labels such as the poor, the mentally ill, the French, the disabled, the college educated.” (Tweet from The Associated Press Stylebook) How “the French” constitutes a “label” left many French people mystified. … Continue reading →

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Who’s Getting Laid in This Picture?*

Posted on January 21, 2023 by JMN

“Organised chronologically, Matisse in the 1930s begins with a look at the Nice period, exemplified by his voluptuous Odalisque with Grey Trousers (1927). A seductive model in harem pants lays on a green bedroll, surrounded by brilliant red and yellow … Continue reading →

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Knaughty Knots

Posted on January 19, 2023 by JMN

If you’ve worked with lumber you know knots are harder than other parts of the wood. Their toughness can stymie a handsaw and defeat a nail. There was once a vogue in home-building circles for “knotty pine.” Prized for its … Continue reading →

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Way Too Much Confession

Posted on January 7, 2023 by JMN

I’m aware that I read poetry in too forensic a way, particularly poetry of the moment. Is it because I identify as a translator? I broach a new poem in English with a cocked snoot, I’m afraid. It’s recognizable as … Continue reading →

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‘We Have to Make Forms That Celebrate the Possibilities’: Torkwase Dyson

Posted on December 29, 2022 by JMN

“The paintings introduced a range of blue colors — oceanic, but resisting a direct reading.” This review bristles with strange energy, coercive structures, geographies of enclosure, and the verb catalyze. But of all the advanced art talk on display, my … Continue reading →

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