Author Archives: JMN

Unknown's avatar

About JMN

I live in Texas and devote much of my time to easel painting on an amateur basis. I stream a lot of music, mostly jazz, throughout the day. I like to read and memorize poetry.

Le Coeur A Ses Raisons Que la Raison Ne Connaît Point

(Continued from https://ethicaldative.com/2021/09/10/heres-conflict-it-had-to-come/ ) He was an oddity in the Rhipidistian peerage: a patrician who chafed under the yoke of privilege and pose. Siddhartha Huff knew in his bones that he was a left-handed entity in a right-handed body. Sidd … Continue reading

Posted in Anthology | Tagged , , | Leave a comment

“I’m Trying to Overwhelm the Museum,” He Said

[Adam] Pendleton, 37, is best known as a painter of abstract canvases in a distinctive black-and-white style that challenge how we read language. Made using spray-paint, brush and silk-screen processes, they incorporate photocopied text, words unmoored from context, letters scrambled … Continue reading

Posted in Quotations | Tagged , , , , , , , , | Leave a comment

Here’s Conflict. It Had To Come

(Continued from https://ethicaldative.com/2021/09/06/rubber-of-aspire-meets-highway-of-dream/) His mansion sprawled in the sunny uplands; his larder bulged with premium ancillary protein; the flower of lab produce was carted daily to his kitchens; his chef staff conjured shakshukas and bibimbaps for him at the drop … Continue reading

Posted in Anthology | Tagged , , | 1 Comment

‘Distraught Toddler’

This gallery contains 1 photo.

(c) 2021 JMN — EthicalDative. All rights reserved

More Galleries | Tagged | Leave a comment

Rubber of Aspire Meets Highway of Dream

(Continued from https://ethicaldative.com/2021/09/03/the-shot-that-broke-the-wuhwuhwuh/) Siddhartha Huff was dubbed official Shootist for the Shot. The Posse of Matrons’ totemic dais pose, captured with campy barbarism by the primeval “camera” at the annual ball, wreathed with an old-school aura the fashionist selfocracy sustained … Continue reading

Posted in Anthology | Tagged , , | 1 Comment

The Shot That Broke the WuhWuhWuh

(Continued from https://ethicaldative.com/2021/08/29/on-the-origin-of-specials-a-treatment-of-privilege/) The WWW could have called itself something more sayable, such as GEEP (Globally Extensive Electronic Pasture), or EARPP (EArth-Ranging People Platform), or MAGA (Multi-Access Grandstand Arcade), or you make one up. During the parlous era of the … Continue reading

Posted in Anthology | Tagged , , | 1 Comment

‘A Way of Understanding Who You Are’

“Human beings have always been storytellers and you use that as a way of understanding who you are, and who the people around you are, and what’s going on,” he says. “If I look back, which I don’t very often, … Continue reading

Posted in Anthology, Commentary, Quotations | Tagged , , , , | Leave a comment

Peter Bradley: ‘What’s Important Is the Color’

“In person, Bradley is warm, refreshingly irreverent, unapologetic, and potty mouthed.” Bradley was among a handful of Black artists, along with [Sam] Gilliam, [Ed] Clark and Williams, making abstract work in the late 1960s and 1970s. Now as then he … Continue reading

Posted in Quotations | Tagged , , | 2 Comments

‘On the Origin of Specials’: A Treatment of Privilege

(Continued from https://ethicaldative.com/2021/08/26/the-velvetizing-of-the-manacles/) We pause a moment to acknowledge the figmentary birthday of Wally, Lord Fuchs, a foundering father of the trifecta that groomed Isthmia. — O Isthmia of temps perdu, whose sorry plight we strive to misconstrue! From the … Continue reading

Posted in Anthology | Tagged , , | 1 Comment

The Velvetizing of the Manacles

(Continued from https://ethicaldative.com/2021/08/24/to-locate-a-bullseye-look-under-the-tail/) Market indices were plussing, stats were booming. Organ inventories were super stoked. An irrational exuberance gripped Isthmian rentier circles, prompting Montmorency XIV to proclaim an unpresidented “velvetizing of the manacles.” The announcement lit up the west wing … Continue reading

Posted in Anthology | Tagged , , | 1 Comment