Author Archives: JMN

Unknown's avatar

About JMN

I live in Texas and devote much of my time to easel painting on an amateur basis. I stream a lot of music, mostly jazz, throughout the day. I like to read and memorize poetry.

‘Jasper Johns: Divide and Conquer’ — Review by Holland Cotter

Flags, maps and numbers were among the artist’s earliest repeating motifs. In “Map” (1961), the artist blurs the boundaries of states and strikes a line through the name South Carolina. Credit…Jasper Johns/VAGA at Artists Rights Society (ARS), New York; Charlie … Continue reading →

Posted in Quotations | Tagged , , , | Leave a comment

‘It’s Not Over Until It’s Celebrated’*

(Continued from https://ethicaldative.com/2021/09/15/le-coeur-a-ses-raisons-que-la-raison-ne-connait-point/) *From the charter of the Rhipidistian Society. The end of lunation 247.457627-12 matched about twenty douzains of the Old Reckoning. No one was quite sure how to label the new chronology, but it felt like more than … Continue reading →

Posted in Anthology | Tagged , , | Leave a comment

‘Marquetry Remains Her Focus’

In the past, Alison Elizabeth Taylor’s extraordinary wood-marquetry paintings have seemed interesting primarily for their bravura craft. Working from photographs, mostly her own, and using laser cutting (mainly), Taylor fashioned small pieces of various wood veneers into puzzle-like pieces fit … Continue reading →

Posted in Commentary, Quotations | Tagged , , | Leave a comment

‘No path to heaven / except through this dirt’

My title is from the poem by Philip Metres, “Never Describe the Sky as Azure,” in Poetry, September 2021. A Reservation Over the Fist Resisting the repressive Texas governocracy is of the essence. Are fisting poses ginned up for camera … Continue reading →

Posted in Commentary, Quotations | Tagged , , , , , , | Leave a comment

Le Coeur A Ses Raisons Que la Raison Ne Connaît Point

(Continued from https://ethicaldative.com/2021/09/10/heres-conflict-it-had-to-come/ ) He was an oddity in the Rhipidistian peerage: a patrician who chafed under the yoke of privilege and pose. Siddhartha Huff knew in his bones that he was a left-handed entity in a right-handed body. Sidd … Continue reading →

Posted in Anthology | Tagged , , | Leave a comment

“I’m Trying to Overwhelm the Museum,” He Said

[Adam] Pendleton, 37, is best known as a painter of abstract canvases in a distinctive black-and-white style that challenge how we read language. Made using spray-paint, brush and silk-screen processes, they incorporate photocopied text, words unmoored from context, letters scrambled … Continue reading →

Posted in Quotations | Tagged , , , , , , , , | Leave a comment

Here’s Conflict. It Had To Come

(Continued from https://ethicaldative.com/2021/09/06/rubber-of-aspire-meets-highway-of-dream/) His mansion sprawled in the sunny uplands; his larder bulged with premium ancillary protein; the flower of lab produce was carted daily to his kitchens; his chef staff conjured shakshukas and bibimbaps for him at the drop … Continue reading →

Posted in Anthology | Tagged , , | 1 Comment

‘Distraught Toddler’

This gallery contains 1 photo.

(c) 2021 JMN — EthicalDative. All rights reserved

More Galleries | Tagged | Leave a comment

Rubber of Aspire Meets Highway of Dream

(Continued from https://ethicaldative.com/2021/09/03/the-shot-that-broke-the-wuhwuhwuh/) Siddhartha Huff was dubbed official Shootist for the Shot. The Posse of Matrons’ totemic dais pose, captured with campy barbarism by the primeval “camera” at the annual ball, wreathed with an old-school aura the fashionist selfocracy sustained … Continue reading →

Posted in Anthology | Tagged , , | 1 Comment

The Shot That Broke the WuhWuhWuh

(Continued from https://ethicaldative.com/2021/08/29/on-the-origin-of-specials-a-treatment-of-privilege/) The WWW could have called itself something more sayable, such as GEEP (Globally Extensive Electronic Pasture), or EARPP (EArth-Ranging People Platform), or MAGA (Multi-Access Grandstand Arcade), or you make one up. During the parlous era of the … Continue reading →

Posted in Anthology | Tagged , , | 1 Comment