Parting Looks — HJN

Harold J. Nichols (1924 — 2013) (c) 2019 JMN

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The Dirty Truth

pencil

The oldest known pencil in the world, found in a timbered house built in 1630. Getty Images.

“Ink is the cosmetic that ideas will wear when they go out in public. Graphite is their dirty truth.” (Henry Petroski, pencil historian)

(Tim Harford, “Have we all underrated the humble pencil?” http://www.bbc.co.uk, 6-26-19)

(c) 2019 JMN

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Piquancy from Iris Murdoch

murdoch novels

“Meat is really just an excuse for eating vegetables.”
(“The Sea, The Sea,” 1978)

“To find a person inexhaustible is simply the definition of love.”
(“Under the Net,” 1954 — Murdoch’s first novel)

(Quotes are from Dwight Garner, “On the Centennial of Iris Murdoch’s Birth, Remembering a 20th-Century Giant,” NYTimes, 6-25-19)

(c) 2019 JMN

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Parting Looks — HJN

Harold J. Nichols (1924 — 2013) (c) 2019 JMN

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Parting Looks — HJN

Harold J. Nichols (1924 — 2013) (c) 2019 JMN

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Parting Looks — Tom Jones

James Thomas “Tom” Jones (1920 — 2000) (c) 2019 JMN

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Parting Looks — Tom Jones

James Thomas “Tom” Jones (1920 — 2000) (c) 2019 JMN

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Guide by the Perplexed — Concerning Idiots

american song

In exposition, where precision is of the essence is in the tight spots — there where you least want ambiguity to clog the flow; where first teachings reside, upon which further teachings helplessly depend. Yet there ambiguity supervenes, often as not.

Here’s a gobbet of it:

… The ascending interval C – E and the descending interval E – C… is a major 3rd regardless of direction as intervals are named from the lowest note.

At face value this statement is incomprehensible. I understand it (I think) in spite of what it says, not because of it.

A series of guides “for idiots” on every conceivable subject has been popular in this country for many years: “Prosody for Idiots”; “Counterpoint for Idiots”; Electro-Mechanics for Idiots.” Etc. Their influence has been pervasive in the field of instructional literature for the curriculum-challenged.

The idiot guides, however, have a fatal flaw: the premise that complex topics are made simpler when explained in fewer words. Concision courts ambiguity, not clarity. In general, idiots need more words, not fewer. Good words, and plenty of them, are for us what flowers are for butterflies.

(c) 2019 JMN

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Parting Looks — HJN

Harold J. Nichols (1924 — 2013)

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(c) 2019 JMN

 

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Guide by the Perplexed — Triad Tirade

fretboard diagrams explained

JMN

“A triad is a simultaneous combination of three notes.”

(Ralph Denyer, “The Guitar Handbook,” Alfred A. Knopf, New York, 2006)

The introductory sentence to the “Triads” section of this useful guide distracts me from triads.

I’m drawn off the mark worrying how a simultaneous combination of notes distinguishes itself from a mere combination of notes.

You can play a triad simultaneously — all three notes sounding at once — by plucking or pinching the strings appropriately; you can also arpeggiate a triad so that each note follows upon the other, sounding in more or less rapid succesion. Either way it’s no less a
combination, so what does simultaneous add?

This is the sort of question that GBTP strives to protect you from.

(c) 2019 JMN

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