Leonardo’s Weird Faces

Leonardo Face1

Leonardo Face1

[All images are from Frank Zöllner, “Leonardo da Vinci: The Complete Paintings and Drawings,” Taschen]

[Leonardo’s] drawings often of men and women with strangely deformed or exaggerated features — which he called “visi mostruosi,” or “monstrous faces,” and which scholars call “grotesques” — were distributed widely, and avidly copied.

Leonardo Face2

Leonardo Face2

… One of his favorite private pastimes was to draw faces, either as scribbles in the margins of his notebooks or as fully conceived sketches….

Leonardo Face3

Leonardo Face3

… Leonardo would often follow strange-looking individuals to try to memorize their faces so that he could sketch them later.

Leonardo Face4

Leonardo Face4

“He was essentially interested in body language and how it’s related to emotions and character.”

Leonardo Face5

Leonardo Face5

Leonardo Face6

Leonardo Face6

(Nina Siegal, “Why Did Leonardo Draw These Weird Faces?” NYTimes, 10-7-18)

(c) 2018 JMN.

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The Scream

Diane Williams

Ms. Williams’s stories might be short but that is sleight of hand; they demand focus. “I don’t like to have it all wrapped up,” she said. “Hardly anything that matters in life is that easy.” Credit Molly Matalon for The New York Times.

There was a time I literally screamed in my own dining room, about something that didn’t warrant such a scream… It was so — to use a word I use a lot in my first book — *inappropriate*. There were some things, some anger or passion that was beyond my understanding and had been tamped down for too long.

“Rumaan Alam, Diane Williams, A Master of the Very Short Story, Has a Very Big New Book,” NYTimes, 10-2-18)

(c) 2018 JMN.

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Meatballs and Mothers

Mark Canha

Mark Canha.

Quotation of the Day

“There were a lot of things being said about my mother that day, a lot of it bad stuff and depressing. But the best one was ‘Hey, Canha, your mother’s meatballs aren’t that good.’ ”

— Mark Canha, a first baseman with the Oakland Athletics, on fan abuse at Yankee Stadium on Mother’s Day.

(NYTimes, “…Thursday Briefing,” 10-4-18)

(c) 2018 JMN.

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Fiction’s Mission

Michael Schur hands out philosophical readings with his scripts. Jeff Minton for The New York Times.

Michael Schur hands out philosophical readings with his scripts. Jeff Minton for The New York Times.

[Quotation from a 1993 interview of David Foster Wallace, one of several that Michael Schur, creator of sitcom “The Good Place,” keeps in his office.]

Look, man, we’d probably most of us agree that these are dark times, and stupid ones, but do we need fiction that does nothing but dramatize how dark and stupid everything is? In dark times, the definition of good art would seem to be art that locates and applies CPR to those elements of what’s human and magical that still live and glow despite the times’ darkness. Really good fiction could have as dark a worldview as it wished, but it’d find a way both to depict this world and to illuminate the possibilities for being alive and human in it.

(Sam Anderson, “The Ultimate Sitcom,” NYTimes, 10-4-18)

(c) 2018 JMN.

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1987 Correspondence: “The other topic…” [redacted]

Adverbs Ahead

Caution: Intemperate Dudgeon Ahead About Events From Long Ago Quoted Verbatim Except For Redactions

[Dear Mother,]

The other topic grabbed me almost as I was leaving Philadelphia. I picked up a hotel copy of the Inquirer and sort of skimmed the article about [Name] resigning as head of [Organization], which means, apparently, either “[Phrase]” or “[Phrase].” I re-read it and was so nauseated I had to tear it out to bring home. To me it epitomizes the contemptible dishonesty and cowardliness of the TV born-again money-hustlers. Here’s a man who fornicated, then paid a six-figure sum to keep it quiet. Look carefully at all the quotes from [Name] in the article. Does he take any responsibility anywhere? Does he express any sense of wrongdoing, or penitence?

I think where I began to be outraged was in trying to make sense of the literal language of the statement that he was “wickedly manipulated by treacherous former friends” who “conspired to betray me into a sexual encounter.” Now, having been caught, he realizes that “we ought to have exposed the blackmailers to the penalties of the law.” Then he makes a pathetic appeal to peoples’ sympathies by saying that “my and [Wife’s Name] physical and emotional resources have been so overwhelmed that we are presently under full-time therapy at a treatment center in California.” What craven [Epithet]! Poor, passive [Name] hideously victimized by Satan’s agents, then prostrated not by remorse but by paranoia and self-pity! We can probably look for him in six months back in front of the cameras fully redeemed and idolized by hordes of [Slang] who resent how negatively he was portrayed by the media.

(c) 1987 Correspondence, 2018, JMN.

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There’ll Always Be a Japan

Japanese Politician

Yuka Ogata claims attitudes towards her have hardened since she took her child into the assembly last November (above). Photograph: The Asahi Shimbun via Getty Images.

Ogata was speaking at the podium when the chairman, Shinya Kutsuki, asked her if she had something in her mouth. She explained that she was sucking a lozenge because she was suffering from a cold and did not want to disrupt proceedings by coughing repeatedly.

The session was suspended while assembly members voted in favour of forming an ad hoc committee to decide how to discipline her. It composed an apology and demanded that she read it out. When Ogata refused, the committee reconvened and the chamber voted to suspend her for the rest of the day. The incident held up council business for eight hours.

“It is unacceptable for a responsible adult to ask questions with a cough drop in their mouth,” said the mayor of Kumamoto, Kazufumi Onishi, according to Kyodo News. “She needs to admit that she was at fault.”
(Justin McCurry, “Japanese politician in baby row thrown out again — for sucking cough drop,” The Guardian, 10-1-18)

(c) 2018 JMN.

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Boosler, Eisenberg, Cage, Aznavour, Hockney

Elayne Boosler

Elayne Boosler in a screen shot from her “Party of One” special, part of a box set of her work. Credit Showtime Networks.

Men, she sighs, expect her to cook breakfast the morning after sex. “They want things like toast,” she says, exasperated. “I don’t have these recipes.”
(Jason Zinoman, “The Comedy Master Who Hasn’t Gotten Her Due: Elayne Boosler,” NYTimes, 10-1-18)

Deborah Eisenberg

Ruven Afanador for The New York Times.

“I just fall over guffawing when people say, ‘This isn’t who we are.’ Who are you other than what you do?”
(Giles Harvey, “Deborah Eisenberg, Chronicler of American Insanity,” NYTimes, 10-1-18)

Nicolas Cage

‘It’s like, wow, I’m 54 and single again. Didn’t see that coming. It’s pretty grim’ … Cage. Photograph: John Parra/Getty Images for for The Hollywood Reporter.

“I can do photorealism, but I wanted to let it be known that acting can break forms and hark back to something else. I’m a big fan of artistic synchronicity, when you do one form in another, like Munch’s Scream in Ghostrider,” he says, pulling the aforementioned face. “Not natural but truthful, not crazy for craziness’s sake.”
(Hadley Freeman, “Nicolas Cage: ‘If I don’t have a job to do, I can be very self-destructive,’” The Guardian, 10-1-18)

Charles Aznavour

Sometimes spectacularly bleak… Charles Aznavour. Photograph: INA/Getty Images.

Among the pantheon of great chansonniers, Aznavour was a born rule-breaker. “Before Aznavour, despair was unpopular,” joked director Jean Cocteau, who cast him in 1960’s Le Testament d’Orphée….
(Alexis Petridis, “From drag queens to dead marriages, Charles Aznavour was far from easy listening,” The Guardian, 10-1-18)

David Hockney

David Hockney in his London living room in September. On his right is a facsimile of the of a stained- glass window he designed, which was formally dedicated at Westminster Abbey on Tuesday. Credit Suzanne Plunkett for The New York Times.

But when he was later asked to paint [Queen Elizabeth], he turned that down, too. In the interview, he recalled [Lucian] Freud’s depiction of the monarch. “He got 10 hours from her, which is not very much for him, but a lot for her to sit… I knew the portrait. It was O.K. But I’m not sure how to paint her, you see, because she’s not an ordinary human being. She has majesty… How do you paint majesty today?… What am I going to do with [money]? An artist can’t really be a hedonist, because he’s a worker… If all you’re aiming for is longevity, it’s life-denying… Everything turns to dust eventually. Even Westminster Abbey will.”
(Farah Nayeri, “David Hockney Wouldn’t Paint the Queen. But He Made Her a Stained-Glass Window,” NYTimes, 10-2-18)

(c) 2018 JMN.

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Old Mother Goose

Mother Goose, Oil on canvas, 48x48 in. JMN, 2017

Old Mother Goose, Oil on canvas, 48 x 48 in. JMN, 2017.

This is a painting based on a badly faded image in an old children’s book I possess. The image is an illustration by Anne Anderson, a Scottish illustrator (1874-1952). It’s intriguing in various ways, prominent of which for me is a certain unnerving monstrousness. If I were a child and saw this figure making her way down the cobblestone path in my direction, I would likely run in terror in the other direction.

I say this good-naturedly. I admire Anderson’s work. What strikes me in this image is the interesting ways in which her attire is … distorted? Her clothing seems to be literally inflated, like a balloon! Let’s not even dwell on the diamonds and stripes of her costume, the odd, puffy things around her wrists, her rather large feet in the buckled slippers, and the brobdingnagian, witch-like hat!

It’s all wonderful and mysterious and surely period-centric in its way, but not exactly cuddly. In a way it smacks of today’s clowns and Santa Clauses: How many kids want to snuggle with either of those?

(c) 2018 JMN.

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“Why not just paint a mustache on everything?”

Why Not T-Shirt, JMN.

Why Not T-Shirt, JMN.

I read this in the Times or Guardian last year: When Gutzon Borglum was promoting his idea of carving faces into Mount Rushmore (1927-1941), many people were scandalized and incredulous. What a silly, useless notion! What a lack of respect for nature! Such pretension, such hubris! The project wasn’t popular with a substantial segment of the public.

The quote on my T-shirt is from an anonymous person who sounded off on the matter in a newspaper article of the time. It has a zaniness I find appealing.

(c) 2018 JMN.

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Tip #2 for the Male Homemaker

Shovel and Dustpan, JMN.

Shovel and Dustpan, JMN.

For the infrequent occasions when your dog doesn’t make it through the night and poops in her usual spot on the tile floor in front of the fireplace, an ancient ash shovel and a metal dustpan are of the essence. (The vise in the picture is incidental and not part of the required equipment.) The rustier and more battered these tools are, the better, for they will be permanently besmirched with feces residue, hence tucked discretely away in your workshop. Two utensils are essential; with only one, it becomes an exercise in spreading the poop rather than picking it up. Fling it away outside somewhere no one is likely to tread, and you’re halfway done.

Phase 2 of the tip elevates it to a true life hack, if I understand that term correctly. [Associative meander: The first time I encountered the term “hack” was in the cyberpunk novels of William Gibson. In one of them, each of the characters in the survivalist community of a dystopian future has a hack, which is a special skill or field of expertise that the person has acquired and exercises for the benefit of the eccentric, motley crew. Gibson and Bruce Sterling were prominent writers in the genre, which focused on a near-future collapsed civilization and the scrappy, resourceful people who made their way amidst the ruins. Another favorite author, Paul Theroux, wrote a good novel in this vein, too. So did Walker Percy, but I think “hack,” like “cyberspace,” is Gibson’s coinage. When I was a programmer, the term “hacking” usually meant writing code that worked OK, but was sloppy or inelegant. Hacking was often associated with creating a “kludge” (rhymes with “Scrooge”), meaning a fudgy workaround or crude algorithm. The semantic drift of jargon is fascinating. I take the word “hack” in today’s usage to mean something akin to a clever solution for a problem or chore. (?)]

Cleaner and Paper Towels, JMN.

Cleaner and Paper Towels, JMN.

A liquid cleaner of some sort and paper towels are the ancillary equipment you’ll need. Puddle up the poop stain on your tile with the antibacterial cleaner, drop paper towels on top, and walk away. Have yourself a blackstrap tea or mint julep. If most of your activities occur at the opposite end of your shed from the towel-covered stain, it’s quite possible to forget about it until your housekeeping assistant comes on Wednesday from noon until 5. That person will complete the cleanup of the stain whose cleanup  you have so considerately facilitated for that person.

Depending on the timing of your dog’s accident, and assuming your assistant comes once a week like mine, the longest the towel-covered stain could remain is one week. If, like me, you entertain virtually not at all, there will be no urgency to remove the dried towels and clean the stain yourself before guests arrive.

(c) 2018 JMN.

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