Tag Archives: art

The Case for Rhythm and Emptiness

Posted on November 1, 2022 by JMN

Brazilian artist Maxwell Alexandre speaks of how exposure to Kerry James Marshall’s painting made him aware of “an absence of representation. You would ask a Black kid to draw a person and he would draw a white person… Just by … Continue reading →

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The Birth of Venal

Posted on October 17, 2022 by JMN

… According to Italian law, any use of the country’s publicly owned art to sell merchandise requires permission and payment of a fee. (Angela Giuffrida) Who “owns” reproduced images pulled from Botticelli’s cloying, excessively familiar painting? The presumption to be … Continue reading →

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The ‘Burden of Exegesis’

Posted on October 15, 2022 by JMN

There is almost nothing to see, and yet everything is there. (Laura Cumming) Cumming gives a lyrical account of her responses to Cezanne. (I learn from her that the artist dropped the acute accent from his name in his signature.) … Continue reading →

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Why Do I Warm to These Two Paintings?

Posted on October 9, 2022 by JMN

Rosalyn Drexler’s elegant painting, “Cigarette Smoking May Be Hazardous to Your Health,” is stuck with a lumbering title but sings, nevertheless. I would give it a chill name such as “Composition in Vermilion on Black,” or one with saucy innuendo … Continue reading →

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What He Simply Tries to Do

Posted on September 22, 2022 by JMN

“In his view, painting and drawing are exactly the same difficulty and take roughly as long as each other.” (William Feaver, art critic and one of Auerbach’s regular sitters) Asked whether he has learned something new about his face, [Auerbach] … Continue reading →

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One Good Pareidolia Deserves Another

Posted on September 19, 2022 by JMN

Rocky debate swirls around a squiggle on the “fingerlike menhir” at the entrance to the Dolmen of Guadalperal in Spain. (See https://ethicaldative.com/2022/09/17/the-dolmen-tells-the-wind-hard-weather-ahead/). Opposite a vaguely anthropomorphic shape etched on the menhir’s side lies the squiggle. Angel Castaño, a philologist, believes … Continue reading →

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Soot, Spit and Paper

Posted on September 5, 2022 by JMN

James Castle (1899 – 1977) was born deaf in rural Idaho, and seems never to have learned to read and write. Formally untrained, he “dedicated his life to making art among the farms and ranches in and near Boise.” His … Continue reading →

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‘The Reader Effect’

Posted on September 2, 2022 by JMN

… Like a scene from Mr. Rushdie’s novel “Shalimar the Clown,” a knife-wielding man rushed onto the stage and began to stab him. Immediately audience members ran to the stage to defend him. It was a remarkable response. That rush … Continue reading →

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‘Writing a Chrysanthemum’

Posted on August 25, 2022 by JMN

On scrolls of Japanese paper each 19 feet in length, Barton documented the underbelly of San Francisco’s North Beach neighborhood before the hippies showed up… A friend and fellow artist recalled that Barton began a portrait with the sitter’s fingernail… … Continue reading →

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Translating Conceived as Sketching

Posted on August 21, 2022 by JMN

I wonder if a translation of a poem can be compared to a sketch of a painting? The sketcher recreates aspects of an original art work in a different medium, say pencil. Words are the translator’s medium. She uses those … Continue reading →

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