Tag Archives: art

‘We Have to Make Forms That Celebrate the Possibilities’: Torkwase Dyson

“The paintings introduced a range of blue colors — oceanic, but resisting a direct reading.” This review bristles with strange energy, coercive structures, geographies of enclosure, and the verb catalyze. But of all the advanced art talk on display, my … Continue reading

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Super-Diatribalistic Mega-Magadocious

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Poetry PowerPoint, Crossdressing Wolf

Cartoons can slay. Here are two that plaster a grin on my face for the connections they make. The first is from The New Yorker. The second is from Larson’s The Far Side Daily Dose website. (1) I once had … Continue reading

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The Fellow’s Garrulous, But a Decent Painter

He talks about a narrow, closed view of the world in which a contempt for America – the home of “degenerate” jazz for the Nazis, the capitalist enemy for the GDR – was a constant. “Until I was about 20 … Continue reading

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Once Was Lost, But Now Is Found

“We were flabbergasted. It has taken 100 years to rediscover Atlantic City.” [Petulant style note: Equally flabbergasting is British journalism’s insufferable convention of not setting off titles with quotes or italics. What two researchers rediscovered was not the coastal city … Continue reading

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‘It’s More Than It Initially Appears’

The comment attributed to a museum director about Jennifer Guidi’s painting reminded me of Mark Twain’s remark that Wagner’s music is “better than it sounds.” “I’m thinking of color as a way to connect — a way to engage — … Continue reading

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The Case for Rhythm and Emptiness

Brazilian artist Maxwell Alexandre speaks of how exposure to Kerry James Marshall’s painting made him aware of “an absence of representation. You would ask a Black kid to draw a person and he would draw a white person… Just by … Continue reading

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The Birth of Venal

… According to Italian law, any use of the country’s publicly owned art to sell merchandise requires permission and payment of a fee. (Angela Giuffrida) Who “owns” reproduced images pulled from Botticelli’s cloying, excessively familiar painting? The presumption to be … Continue reading

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The ‘Burden of Exegesis’

There is almost nothing to see, and yet everything is there. (Laura Cumming) Cumming gives a lyrical account of her responses to Cezanne. (I learn from her that the artist dropped the acute accent from his name in his signature.) … Continue reading

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Why Do I Warm to These Two Paintings?

Rosalyn Drexler’s elegant painting, “Cigarette Smoking May Be Hazardous to Your Health,” is stuck with a lumbering title but sings, nevertheless. I would give it a chill name such as “Composition in Vermilion on Black,” or one with saucy innuendo … Continue reading

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