Tag Archives: language

Hill Country, Texas Camper’s Song

Down I lay me now to sleep and prayFor come who might to whats-it in the sky.Not dead before I wake may I be found.To sleep and pray now down I do me lay.The ocean’s mighty large and wet, they … Continue reading

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‘A Wild and Capacious Art’

“Poetry belongs to all who write, read, sing and sign it.” (Adrian Matejka) ”A wild and capacious art” is how Adrian Matejka describes it. The editor of Poetry knows whereof he speaks, though I would hazard that other art forms … Continue reading

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Until We Are They?

“The evolution of language always encounters resistance, and sometimes outrage.” (John McWhorter) A poem by Danez Smith in Poetry, July-August 2025, titled “They/Them” should be read whole but, to be brief, starts: said short: i feel more like a stud. … Continue reading

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‘Deep Blue Scrap of Lie’

There’s a cleanly spoken, elegant poem in Poetry, May 2025, that lingers in the mind’s eye. It’s called “Infinity Pool” by Vona Groarke.  You flirt with an arresting occurrence in the liminal paralysis of semi-sleep. It nags. If not worded … Continue reading

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‘I Came Into the World Very Young’

I discovered Satie long ago through Gymnopédies and Gnossiennes, and liked the music immediately. I thought of him as a “minor” composer, and I was drawn to perceived niche tastes. I crave even now the unmoored feeling that his music … Continue reading

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Untie These Hidebound Eyes, Unbind These Hogtied Hands

Jason Farago-rhymes-with-Chicago writes a deep, reflective appreciation of Cézanne’s work, calling Cézanne the first painter he ever loved.  BC*: For six centuries, ever since some scientifically minded Florentines had developed rules of perspective that made art look more like life, … Continue reading

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‘Technically God Isn’t a “Him”’

‘*Technically God isn’t a “him.” But the English language doesn’t provide a suitable singular, non-gender term for us to use (“it” implies an object or non-sentient being).’ (Mitch Teemley) Mitch Teemley’s observation touches usefully upon the volatile topic of “they” … Continue reading

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Guide for the Perplexed

“… When I don’t know what to do next, I tend to throw everything at it, be as expressive or as minimalist or as detailed as I can, reach for bright colours or keep it monochrome, look intensely or scribble … Continue reading

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Spasms of Lunacy: Triolet

There are lessons to be found in these ancient desks where many hearts are gouged.(Peter Kline) A There are lessons to be found in theseB Halls where horny boys now dead had trudged. c The ancient desks where many hearts … Continue reading

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‘Ebullient, Rigorous and Boastfully Esoteric’

Walker Mimms’s treatment of Hilma af Klint is elegant, lyrical, explicit. Ebullient, rigorous and boastfully esoteric, these “Nature Studies,” as she called them, reveal the didactic side of a pioneer in nonliteral art. This is an economical show of some … Continue reading

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