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Monthly Archives: October 2024
‘It’s Death in a Modern Setting’
Whether it’s taken as a grin or a snarl, all skulls bare their teeth; it goes with being a skull. But sometimes an art historian is in pursuit of a story to tell — it goes with being an art … Continue reading
Posted in Commentary, Quotations
Tagged grammar, journalism, language, painting, rhetoric, style
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‘Attention Is the Rarest and Purest Form of Generosity’
Between “passionate” and “dispassionate,” why not the latter? Having a “passion” for something threatens to be trite. “Passion” emits heat, and there’s enough heat circulating already. How about “devotion” instead? I’m devoted to the art of mimickry. A bent for imitation, … Continue reading
Infinite Scroll on the Scripture Front
The cross-referencing contained in scripture reminds me of the infinite scrolling feature that afflicts social media. In the scriptures it doesn’t have pernicious intent, but can lead, nevertheless, to addictive chasing after the satisfaction of curiosity if one isn’t careful. … Continue reading
Posted in Anthology, Commentary
Tagged Arabic-English, grammar, language, Spanish-English, syntax, translation
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‘Colorful Ooze’
The Met’s new show… makes clear how astonishing it is that paint, of all things, became the center of Western art… There may never be another big American exhibition about this freakish little era, when artists figured out how to … Continue reading
Artists’ Palettes. They’re Artyfacts!
The phrase “smeared with [a] personalised spectrum of paint” snagged me. The palettes are interesting in relation to who used them and/or for what they suggest about the painter’s “attack,” for lack of a better word. Fifty of these small … Continue reading
Song of My Selves
(c) 2024 JMN — EthicalDative. All rights reserved
Turner, Monet, Morisot
Volcanic ash from Mount Tambora’s eruption, as well as coal pollution, gave Turner glowing atmospheres to paint in his day. So did the toxic air enveloping the city of London which Monet responded to in some of his paintings a … Continue reading
Ankle Bells Aquiver
Economy and directness are said to be paramount traits of poetry. “Directness” does heavy lifting in that statement. The poem by Alafia Nicole Sessions titled “Immature Animals” (Poetry, October 2024) stumps, like something glimpsed that you can’t identify, but so … Continue reading
‘His Lesions Are Legion…’
In a single poem Gwendolyn Brooks wraps up in a big bow the harrowing, goofy joy, the confused exultation salted with brow-knitting angst, that enters into raising yourself with children. “Life for my child is simple, and is good” is … Continue reading
‘The Gravity of Curiosity’
… The gravity of curiosity. Our lives should be lived in interrogatives rather than imperatives. It’s more magnanimous to move through the world with wonder than with unearned certainty… [Poems] encourage us to ask the complicated questions, both of ourselves … Continue reading →