Tag Archives: syntax

Adverb Rebellion

Posted on May 23, 2021 by JMN

This passage from a fellow blogger (cap doff to) caught my eye: Reality? Well it starts to mock back at your face, you get surrounded by the clouds of regret, cry on the ashes of your pretentious bliss and feel … Continue reading →

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Semicolon Rebellion

Posted on May 22, 2021 by JMN

Use a semicolon to separate two independent clauses — i.e., two sentences that work on their own — which are closely sequential: “I finished a painting today; it went better than I thought it would.” Or in order to separate … Continue reading →

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‘Kate Is There in the Shadows’

Posted on November 17, 2020 by JMN

Here is narrative from a 1960 American novel. A character ascends a staircase to the mezzanine of a house to join another person there: There comes to me in the ascent a brief annunciatory syllable in the throat stopped in … Continue reading →

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The Gargoyles’ Grin

Posted on August 30, 2020 by JMN

In 1915, Wallace Stevens offered Harriet Monroe, founder of Poetry (the magazine), several poems that included Disillusionment of Ten O’Clock. “She returned them… finding them ‘recondite, erudite, provocatively obscure… all with ‘a kind of modern-gargoyle grin to them,’” writes Stevens … Continue reading →

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Prosodic Moments in Poeisis

Posted on August 23, 2020 by JMN

In English, the difficulty of perceiving even brief isosyllabic lines as rhythmically equivalent is aggravated by the inordinate power of stressed syllables… The mashup of mystification about versifying that’s available online furnishes what I call Prosodic Moments — when phraseology … Continue reading →

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Poetry Frisson

Posted on August 21, 2020 by JMN

The poem is “That Other” by Joyce Carol Oates (Poetry*, July/August 2020). Reading this miniature is like encountering a firm pack of beach after jogging on dry sand. The poem is accessible while allusive, and wry. It crystallizes for me, … Continue reading →

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About the Stag

Posted on August 10, 2020 by JMN

The poem is “Entire Known World So Far” by Carl Phillips (Poetry, July/August 2020). I share thoughts about my readings with a correspondent who returned the following in email: The part of the poem you copied out – where it … Continue reading →

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What Makes a Poem ‘Hard’?

Posted on July 17, 2020 by JMN

“Syntax” is the answer to the fudgy question. It’s hard to reach image and reference through muddy syntax. In narrative and exposition, context comes to the rescue; in poetry often not, because a poet revels in flare-gunning lap dance moon … Continue reading →

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What Does a Poem Teach? Fluidity

Posted on July 8, 2020 by JMN

Excerpts are from the poem “A Future History” by Suzi L. Garcia (Poetry, March 2020). A muster of peacocks show off their tails, but instead of feathers, knives. This line introduces me to “muster,” a collective noun applied to peacocks. … Continue reading →

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Manifestoid 1 of 2

Posted on June 25, 2020 by JMN

A correspondent writes: Watched the lunchtime news, it veers between positivity and warnings that leaves the head spinning and the heart pumping. In that last sentence, should it be ‘leave’ or ‘leaves’. I had ‘leaves’ because it is the veering … Continue reading →

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