Category Archives: Anthology

My collected writings and those of family members.

On ‘Love Letter to a Dead Body’

I’m intrigued by the tension in Jake Skeet’s [sic] poem: Its title juxtaposes love with death, and its rhythms press against the nettle-like images. The first stanza’s images are scarred and rough with “burr and sage,” “bottles” and the “cirrhosis … Continue reading

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Coming Unstuck With Glück

I’ve acquiesced to much of what I can’t quite fathom in Louise Glück’s poetry. Enough reaches me to defeat surliness. I feel surprisingly addressed at times: … You are like me whether or not you admit it. / Unsatisfied. Meticulous. … Continue reading

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How I Do Reading, Sadly

It seems when I encounter a poem I start an argument with it; I approach it as a provocation. Why is it written this way? What is it trying to tell me? What should I feel or think after reading … Continue reading

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Not Everything Is a Sonnet, Damn It

“I get pretty impatient with people who consider any fourteen-line poem to be a sonnet. The turns of thought are crucial, as is the number of turns.” (Carl Phillips, interviewed by David Baker, http://www.kenyonreview.org) The interview inspiring these illustrations is … Continue reading

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Cosmic Cheese

The world / was whole because / it shattered. When it shattered, / then we knew what it was. “Formaggio” is Italian for “cheese.” The poem so titled is in Louise Glück’s book Vita Nova. On first reading I experienced … Continue reading

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We’re Ourselves in Spite of Us

Not the selves we ordered, but the ones received. So it went with those that got us — the trick of not caring for who you be is handed down. Each tiny burden of wiped snot is a pair of … Continue reading

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Nosegay of ‘Droit de Seigneur’

Consulting an Arabic dictionary involves looking up a word’s “root,” usually comprising three consonants. Words formed from the root are listed, with their translations, along with idioms in which the word occurs. What the root is may not be apparent … Continue reading

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The Absolute Superlative

Blachère (364) describes how Arabic expresses the “absolute superlative” — i.e., the uttermost degree of something, with no comparison: Par des noms au cas direct indéterminé de valeur adverbiale dont le sens primitif est paroxysme, degré suprême, rendus en franç. … Continue reading

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How Do Poems Be Interesting?

A YouTube personality named Isla Rose candidly discusses her male-to-female transition experience, both the affective and the clinical sides. She remarks how the related hormone therapies can diminish responsiveness in intercourse; she must be “very interested” in what’s going on … Continue reading

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What ‘Self’ Goes With Royal ‘We’ and Singular ‘They’?

I take it on report that an English monarch is entitled to declare self-referentially, We are not amused. I amuse myself speculating whether the Queen would say We amuse ourself or We amuse ourselves at whist. In a different context, … Continue reading

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