
Lubaina Himid, photographed at home in Preston Lancashire. Photograph Antonio Olmos for the Observer
Is there a certain type of artwork that you keep in your bedroom?
Strangely, there are works of mine in the bedroom, but they’re not works that I’ve shown. They’re experiments with painting, plants and patterns, very quiet things. I don’t get too agitated about them because they were never intended for something. Otherwise I’m full of doubt: are they good or not? [laughs] It’s that “big ego, low self‑esteem” thing that artists have.
(Lubaina Himid, quoted by Killian Fox, “Home is where the art is: what Paula Rego, Lubaina Himid and other artists hang on their walls,” Tim Adams, interviews by Imogen Carter and Killian Fox, The Guardian, 8-26-18)
[Copyright (c) 2018 James Mansfield Nichols. All rights reserved.]





Ear Fatigue Syndrome and Recovery
Cello Player.
The wireless speakers strewn about The Shed burble from their niches most of the day.
Some days I think I’ve divined the secret of much jazz that I listen to: Play only the notes that are not hummable. I say “listen” with temerity because I’m not always paying attention to the sounds, but they’re there.
I know it’s the whining of a music sissy on my part to pine occasionally for a predictable interval, or a chord that I could finger if I wanted to, but it reflects a certain saturation point from which I must recover.
That point slips up on me, and usually comes after several hours of play from my Pandora radio station based on, say, John Abercrombie, or Tom Harrell, or Christian Scott.
When I realize I’ve crossed the line into improvisation-induced irritability, I usually fall back on a playlist of folk or pop tunes that I can pay little attention to until my ears recharge and jazz-love returns.
The folk and pop lists don’t include just songs I’ve heard a lot; but, even in the unfamiliar ones, when a musical phrase starts I can usually finish or at least add to it predictively. Is that what “tuneful” means? Is there such a word?
If there were a heaven, mine would consist of a gathering of friendly, articulate experts in various fields — in this case music — whose brains I could pick to repair the yawning gaps in my understanding of virtually everything.
[Copyright (c) 2018 James Mansfield Nichols. All rights reserved.]