
British LBC radio presenter Nick Abbott explains the Tory lock on governance in the UK like this: During elections, factions on the Left wrestle each other to the ground in feuds over ideological purity. Meanwhile, the monolithic Right, comprised of a minority bent only on retaining power, steps nimbly over them into office time and again. It evokes Will Rogers’ famous quip: I am not a member of any organized political party. I am a Democrat.
The French may be challenging this paradigm.
For the first time since 1997, France’s major left-wing parties put aside their differences and ran a single slate of candidates. The coalition, known as NUPES, for Nouvelle Union Populaire Écologique et Sociale, soared last week… Shrewdness and an instinct for self-preservation are two of the biggest factors making unity possible… The coalition needs its base to turn out in much greater numbers than it did in the first round — which featured historically low participation across the board — but especially among low-income voters and young people. If these groups do deliver a majority to NUPES, the effects would be truly seismic.
(Cole Stangler, “Something Extraordinary Is Happening in France,” NYTimes, 6-16-22)
Allez-y in Texas dialect is “Get after it!”
(c) 2022 JMN — Ethical Dative. All rights reserved













‘It’s This Old, Fatal Love for the Landscape’
The quotation in my title is from nature writer Robert Macfarlane. His book The Old Ways featured British war artist Eric Ravilious, killed in a plane crash in 1942. In the book, Macfarlane “points to the way the artist would frame bucolic watercolours of the rolling southern English countryside with strands of barbed wire.” Chinese artist Ai Weiwei states that, although Ravilious’ paintings “seem like an understatement, they are profound, rigorous and meticulous.” (All these citations are from the Guardian article echoed here.)
Words that are powerful with understatement were written by Ravilious’ widow Tirzah Garwood, herself an artist, in her autobiography, Long Live Great Bardfield. Marooned in a dank Essex farmhouse with her three young children in the hell of war, she typed out her book after putting them to bed, and bequeathed it to posterity “should it have survived”:
Ravilious’s work and Garwood’s words evoke for me the art of two blogs that I admire:
Sue Grey-Smith (https://suegreysmithartist.wordpress.com) and Outside Authority (https://outsideauthor.wordpress.com)
(c) 2022 JMN — EthicalDative. All rights reserved