Tag Archives: style

To Be or Not to Be That, Is the Question

Posted on February 22, 2023 by JMN

You’ve been punctuated! In my title, moving the pause (caesura) signaled by a comma turns Hamlet’s proposition into something different. Whatever “that” may be, being it or not being it is what’s now in play. The New York Times publishes … Continue reading →

Posted in Anthology | Tagged , , , , | 1 Comment

Can This Be Poetry? It’s Direct, Clever and Fun!

Posted on February 20, 2023 by JMN

Poetry, February 2023, celebrates William J. Harris (still living). Reading the issue’s portfolio of Harris’s poems gave me some laugh-out-loud moments. Here are two (in full): On Wearing EarsAs long as peoplecontinue to wearearsthere won’tbe muchpeace and quietin this world. … Continue reading →

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The French Are Okay with Being ‘The French’

Posted on February 11, 2023 by JMN

“We recommend avoiding general and often dehumanizing ‘the’ labels such as the poor, the mentally ill, the French, the disabled, the college educated.” (Tweet from The Associated Press Stylebook) How “the French” constitutes a “label” left many French people mystified. … Continue reading →

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Who’s Getting Laid in This Picture?*

Posted on January 21, 2023 by JMN

“Organised chronologically, Matisse in the 1930s begins with a look at the Nice period, exemplified by his voluptuous Odalisque with Grey Trousers (1927). A seductive model in harem pants lays on a green bedroll, surrounded by brilliant red and yellow … Continue reading →

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Knaughty Knots

Posted on January 19, 2023 by JMN

If you’ve worked with lumber you know knots are harder than other parts of the wood. Their toughness can stymie a handsaw and defeat a nail. There was once a vogue in home-building circles for “knotty pine.” Prized for its … Continue reading →

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Way Too Much Confession

Posted on January 7, 2023 by JMN

I’m aware that I read poetry in too forensic a way, particularly poetry of the moment. Is it because I identify as a translator? I broach a new poem in English with a cocked snoot, I’m afraid. It’s recognizable as … Continue reading →

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‘We Have to Make Forms That Celebrate the Possibilities’: Torkwase Dyson

Posted on December 29, 2022 by JMN

“The paintings introduced a range of blue colors — oceanic, but resisting a direct reading.” This review bristles with strange energy, coercive structures, geographies of enclosure, and the verb catalyze. But of all the advanced art talk on display, my … Continue reading →

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Saint Brevity, Patron of Blagueurs

Posted on December 16, 2022 by JMN

“A wealth of information creates a poverty of attention.” (Nobel Laureate Herbert Simon, 1971) Like a bird on a pole,Like a soul on the dole,I have tried all my waysTo be brief.(JMN, after Leonard Cohen) (Harold Simon is quoted by … Continue reading →

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Sensing the Presence of Vinegar: Food Poetry

Posted on November 25, 2022 by JMN

(A squalid detail to put behind us: “vichyssoise” is misspelled in the review as “vichysoisse.” Slipshod, to be sure, but my esteem for Pete Wells’s writing remains intact. Even Homer nodded.) Pete Wells said once that when he became restaurant … Continue reading →

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‘A Writer Who Composed Prose Like Poetry’

Posted on November 13, 2022 by JMN

Considering the toll it takes on me to construct a writing boiled down to within an inch of its life about something I think, punctuate it punctiliously, then figure out too late what I’ve said, much less thought, if anything, … Continue reading →

Posted in Commentary, Quotations | Tagged , , , , , | 2 Comments