Author Archives: JMN

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About JMN

I live in Texas and devote much of my time to easel painting on an amateur basis. I stream a lot of music, mostly jazz, throughout the day. I like to read and memorize poetry.

What It Means

The so-called ‘ethical dative’ or ‘dative of interest’, where the use of an indirect object pronoun expresses the involvement of the subject in the action of the verb, intensifies such feelings as sadness, happiness and mockery. Ten cuidado, y no … Continue reading →

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The Rock Pile

Dwight Garner’s review of a new biography of Marjorie Kinnan Rawlings* evokes a foible-wracked genius: It’s a pleasure to meet this cursing, hard-drinking, brilliant, self-destructive, car-wrecking, fun-loving, chain-smoking, alligator-hunting, moonshine-making, food-obsessed woman again on the page. The passage that hits … Continue reading →

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Neruda LXXXII

[LXXXII]Amor mío, al cerrar esta puerta nocturnaMy love, on closing this nocturnal doorte pido, amor, un viaje por oscuro recinto:I ask, love, for a voyage through dark environs:cierra tus sueños, entra con tu cielo en mis ojos,shut your dreams, come … Continue reading →

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‘A Beautiful, Pathetic Object’

It’s a pleasure to meet William T. Wiley, who moved and shook in a West Coast “funk art” scene while steering clear of wealth and fame. It’s no surprise that agreement on what exactly defined the funk art movement was … Continue reading →

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Resistance Is Futile…

… when it comes to quoting Matthew McConaughey. “I’ve found that a good plan is to first recognize the problem, then stabilize the situation, organize the response, then respond.” “Knowin’ the truth, seein’ the truth and tellin’ the truth are … Continue reading →

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Messing With Space

Like a pig rooting for truffles I harvest luscious phrases from Roberta Smith’s art critiques. After “he jumped on the Color Field painting bandwagon,” Jules Olitski (1922 – 2007) created works that “mess with space and scale in a visceral, … Continue reading →

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‘Gloopy Glory’

The paintings of 90-year-old Frank Auerbach, “last surviving member of a pathfinding generation of postwar British figurative painters,” are up my alley. Auerbach’s iterative pigment attacks are savage and astonishing, and Jason Farago is always good for a blue-streak of … Continue reading →

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How Are Posh Men Educated?

…The vanities of posh men… centre on an ancient system that trains a narrow caste of people to run our affairs…. Ever questing to penetrate British lingo, I wobble over “public” versus “private” education in the kingdom’s parlance. In my … Continue reading →

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Travesía (11)

Versión castellana del poema “Crossing Brooklyn Ferry” (1856) de Walt WhitmanEnglish text at http://www.poetryfoundation.orgSpanish Interpretation by JMN [Translator’s note: The whole of part 7 follows. Of the poem’s 9 parts this short one has its peculiar thorniness. The elfish spin … Continue reading →

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The Wrath of Divines

Like cartooning, the act of translation has proven dangerous at times. For his role in putting Christian scriptures into English, John Wycliffe’s long-dead bones were dug up, burnt, and chucked into the river by order of churchmen. … The act … Continue reading →

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