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Category Archives: Anthology
How Poetry Feels About Itself
Rae Armantrout’s poem “Smidgins” fulfills an imperative of lyric, which is “Don’t be gassy.” Also another imperative, which is “Talk in riddles.” My crumpled, wrinkled / blurt / of flesh. // “Let’s face it,” / it says. * … Ravaged … Continue reading
Posted in Anthology, Commentary, Quotations
Tagged grammar, language, lexicon, personal, poetry, reading, rhetoric, style, syntax, writing
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On ‘Love Letter to a Dead Body’
I’m intrigued by the tension in Jake Skeet’s [sic] poem: Its title juxtaposes love with death, and its rhythms press against the nettle-like images. The first stanza’s images are scarred and rough with “burr and sage,” “bottles” and the “cirrhosis … Continue reading
Posted in Anthology, Commentary, Quotations
Tagged grammar, language, personal, poetry, reading, rhetoric, style, syntax, writing
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Coming Unstuck With Glück
I’ve acquiesced to much of what I can’t quite fathom in Louise Glück’s poetry. Enough reaches me to defeat surliness. I feel surprisingly addressed at times: … You are like me whether or not you admit it. / Unsatisfied. Meticulous. … Continue reading
Posted in Anthology, Commentary, Quotations
Tagged language, personal, poetry, reading
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How I Do Reading, Sadly
It seems when I encounter a poem I start an argument with it; I approach it as a provocation. Why is it written this way? What is it trying to tell me? What should I feel or think after reading … Continue reading
Posted in Anthology, Commentary
Tagged language, personal, poetry, reading, rhetoric
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Not Everything Is a Sonnet, Damn It
“I get pretty impatient with people who consider any fourteen-line poem to be a sonnet. The turns of thought are crucial, as is the number of turns.” (Carl Phillips, interviewed by David Baker, http://www.kenyonreview.org) The interview inspiring these illustrations is … Continue reading
Posted in Anthology, Commentary, Quotations
Tagged grammar, language, personal, poetry, reading, rhetoric, style
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Cosmic Cheese
The world / was whole because / it shattered. When it shattered, / then we knew what it was. “Formaggio” is Italian for “cheese.” The poem so titled is in Louise Glück’s book Vita Nova. On first reading I experienced … Continue reading
Posted in Anthology, Commentary
Tagged grammar, language, literature, personal, poetry, reading, rhetoric, style
2 Comments
We’re Ourselves in Spite of Us
Not the selves we ordered, but the ones received. So it went with those that got us — the trick of not caring for who you be is handed down. Each tiny burden of wiped snot is a pair of … Continue reading
Nosegay of ‘Droit de Seigneur’
Consulting an Arabic dictionary involves looking up a word’s “root,” usually comprising three consonants. Words formed from the root are listed, with their translations, along with idioms in which the word occurs. What the root is may not be apparent … Continue reading
Posted in Anthology, Commentary
Tagged Arabic, culture, grammar, language, lexicon, personal, rhetoric, style, syntax, translation
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The Absolute Superlative
Blachère (364) describes how Arabic expresses the “absolute superlative” — i.e., the uttermost degree of something, with no comparison: Par des noms au cas direct indéterminé de valeur adverbiale dont le sens primitif est paroxysme, degré suprême, rendus en franç. … Continue reading
‘Smidgins’: Afterthought
A “smidgin” is an imprecise, tiny amount of something, a modest dollop. As a poem title, the jocular word is self-effacing but also coyly assertive, like a humble-brag. I got dirt under my nails the other day with Rae Armantrout’s … Continue reading →