Dispatch from the Charwoman

I’ve received from a political entity email that closes as follows:

James, it’s never been more clear that the work we do at the HDCC matters a great deal. Our Democratic candidates are continuing to fight for health care coverage and other policies that will make Texas even stronger. We’re so grateful to have you on our team.

Best,
Celia Israel, Charwoman, Texas House Democratic Campaign Committee

I’m pleased to receive outreach from an organization in which even housekeeping staff is empowered. (“Are” empowered for my U.K. public.)

(c) 2020 JMN

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Disordered Stick Bombs

“… A steady state hysteresis caused by reversible slippage”: There are passages in this article about the study of bird nests that read for me like poetry written in the language of physics.

One effort to disentangle the structural dynamics of the nest is underway in the sunny yellow lab — the Mechanical Biomimetics and Open Design Lab — of Hunter King, an experimental soft-matter physicist at the University of Akron in Ohio.

“We hypothesize that a bird nest might effectively be a disordered stick bomb, with just enough stored energy to keep it rigid,” Dr. King said. He is the principal investigator of an ongoing study, with a preliminary review paper, “Mechanics of randomly packed filaments — The ‘bird nest’ as meta-material,” recently published in the Journal of Applied Physics. (He added that, obviously, the bird-nest stick bomb never explodes.)

I think of my friend who loves birds, beauty berry bushes, curious pursuits, and, like me, wry and resonant turns of phrase. These are among the passions that perk us up in unsteady states.

(Siobhan Roberts, “Why Birds Are the World’s Best Engineers,” NYTimes, 3-17-20)

(c) 2020 JMN

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Artyfacts, Booze Nicked from Posh Uni

[Blotter summary courtesy of Nick Mansfield Branded Fictions and Hand-Me-Down Press]

Break-in at purpose-built, Queen-opened Christ Church college netted burglars three high-value old pix described as “important cultural artefacts.”

It’s a fresh-dealt blow to Oxford college already reeling from mysterious disappearances of burgundy and Pouilly-Fuissé cases from its large fine-wine collection.

Staff-alerted Thames Valley Police immediately swarmed scene “in order to gather evidence.”

“Thorough”-termed investigation under way with stated goal to “bring those responsible to justice”; police presence increased; enquiries being carried out. Members of public called on to assist “in any way they can.”

College “extremely grateful” for quick-and-thorough police response.

(Jedidajah Otte, “Historic, high-value paintings stolen from Oxford college gallery,” theguardian.com, 3-15-20)

(c) 2020 JMN

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For Núria

Te pongo aquí un cuadro reciente, tonto y burlón, mal logrado por supuesto, de ejecución turbia, hiciera lo que hiciera. Está pintado sobre otro cuadro que hizo tu abuelo, mi papá. El suyo fue un desnudo masculino sentado, visto de espaldas, tampoco muy logrado a mi juicio. Irónico, ¿no? ¡Un segundo fantoche sobrepuesto en el primero! La imagen que pinté simboliza para mí hasta dónde llega la locura de la afición a las armas asaltadoras.

Finalmente me he movilizado para aprender a producir los signos diacríticos que exige el castellano — en este caso sirviéndome del teclado exterior “inteligente” Apple del iPad Pro. Sigue una muestra de los resultados que he logrado. La abreviatura “op” significa “option,” o sea, oprimir la tecla que lleva esa etiqueta simultáneamente con otra tecla indicada:

maniático — op+e, luego ‘a’
hélice — op+e, luego ‘e’
víbora — op+e, luego ‘i’
bustrofedón — op+e, luego ‘o’
Sepúlveda — op+e, luego ‘u’
¿ — op+shift, luego ‘?’
¡ — op+1, y sin más te da el punto de exclamación invertido

He aquí un minidiálogo que ostenta todos los signos:

¿Estás seguro?
— ¡Sí, sí! Atestigüé que la catástrofe occurida en los límites de la ciudad amenazó súbitamente el bienestar de los ciudadanos.

Dijo hoy tu mamá por teléfono que unos científicos de Barcelona elaboran una vacuna de prueba contra el coronavirus que tal vez sea eficaz. ¡Les deseo todo éxito en ello!

¡Besitos y abrazos!
Avi

JMN 15 de marzo 2020

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For Nuria

En tu casa te esperan una gata, una guitarra, y un avi que te quiere mucho.

JMN 15 de marzo 2020

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Assume the Position

[Illustration from Bret Stephens, “Trump Meets Nemesis, Punisher of Hubris,” NYTimes, 3-13-20]

(c) 2020 JMN

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Tummlers

Yes, it saw the invention of cars, airplanes, and computers, but the 20th century will be remembered most for its chronic wars.

However, a sweet vestige to preserve from then is what’s known as the “tummler,” a term introduced to me by this article.

Jessamyn West, a librarian who was a moderator for 10 years at MetaFilter, said the job [moderating content on the internet] is like what Catskill entertainers of the mid-20th century called a tummler, “the person in the room who isn’t quite the M.C. but walks around and makes sure you’re doing OK.” Tummlers were basically professional minglers at shows and social gatherings. If you were feeling shy, they’d even help you strike up a conversation with other vacationers at the resort.

(Annalee Newitz, “We Forgot About the Most Important Job on the Internet,” NYTimes, 3-13-20)

Ms.Newitz points out in her article that persons who wrangle comments on today’s internet perform much-needed and varied functions, often needing trauma therapy for the ugliness they confront. However, she reminds us why we needed human moderators in the first place, as old-fashioned tummlers “helping us have a good time.”

(c) 2020 JMN

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All Hail the Mighty State

“Texas, our Texas, so wonderful and great…” goes the song.

“Texas is one of the most prepared states for public health disasters in the U.S.” (Tweet by Governor Greg Abbott on March 9, 2020)

State with highest number of people lacking health insurance (5 million) in the nation: Texas.

State with per-capita number of hospital beds lower than the U.S. average because of hospital closures: Texas.
(Japan has around 13 hospital beds per one thousand people. South Korea has 12. The average rich country has about 5.5 beds. Texas has 2.3 beds.)

State ranking forty-first of fifty states in physicians per capita: Texas.

State with 28 percent of nursing homes given lowest possible rating (one star) by federal government in 2015: Texas.
(In California 7 percent received that rating.)

State with 25 percent of nursing homes cited for severe deficiencies by the feds in 2015: Texas

State whose health agency headquarters had to be vacated by hundreds of employees in 2018 because they were overrun with rats, mold, and vermin: Texas

(Abbott quotation and stats from Christopher Hooks, “Let’s Count the Ways Texas’s Dismal Health Care Landscape Could Make Coronavirus Worse,” Texas Monthly, 3-11-20)

(c) 2020 JMN

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Davy’s Grey

“Boston’s Apollo” celebrates McKeller’s role in Sargent’s work but does not hide the artist’s racism. In her essay for the exhibition’s catalog, Professor Greene cites racial slurs Sargent used. “He’s an amazing painter — that doesn’t go away,” she said. “But we need to pause and rethink how he approached Thomas McKeller as a subject.”

(Alina Tugend, “John Singer Sargent’s Secret Muse,” NYTimes, 3-9-20)

I’ve heard Davy’s grey charmingly compared to the color of “goose poo.” I’m in cahoots with the tone scale ranging from dark white to light black, so have grappled “goose poo” to my lexicon with hoops of steel.

I mention Davy’s grey because Sargent lived from 1856 to 1925, and I imagine his world to have been goose-poo-colored. To live in it was to be a goose-pooist by default for most people. The standout would be someone who wasn’t.

Many call foul, but I personally deem it on my own recognizance a meet and licit reckoning to register goose-pooism in its historical sauce as well as in its present stew.

My maternal grandfather chastised his daughter for dating a “Jew-boy” American serviceman during World War II. Where I was born, the railroad still slices off “Mexican town” from the white neighborhoods. Like Sargent’s achievement as a painter, goose-pooism doesn’t go away either.

(c) 2020 JMN

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Gerhard Richter Voiced

For 60 years, he has treated uncertainty as an ethical duty. …

That is the priceless example he offers today’s young artists, whose every mistake or hesitation gets pounced on by digital Savonarolas. So much dogmatism out there, so much high-volume moralizing. The voice we need to hear is the voice that says: I don’t know. I’m not sure. I’m still thinking. I’m still working.

(Jason Farago, “The Sublime Farewell of Gerhard Richter, Master of Doubt,” NYTimes, 3-5-20)

(c) 2020 JMN

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