Pledge of Resistance

I pledge resistance to the flag of the AR-15s of America, and to the mythology for which it stands. Wounded nation under Fox, indefensible, with liberty and justice for some.

In the summer of 2008, the Supreme Court decided District of Columbia v. Heller, in which the court held for the first time that the Second Amendment protected an individual right to gun ownership… Justice Scalia’s majority opinion held that [it] protected an individual right to keep a usable handgun at home… Justice Stevens argued that [its] protections extended only to firearm ownership in conjunction with service in a “well-regulated militia,” in the words of the Second Amendment… Nothing in Heller casts doubt on the permissibility of background check laws… Heller also gives the government at least some leeway to restrict the kinds of firearms that can be purchased… Most of the obstacles to gun regulations are political and policy based, not legal… because of an unduly expansive reading of Heller.

(Kate Shaw and John Bash, “We Clerked for Justices Scalia and Stevens. America Is Getting Heller Wrong,” NYTimes, 5-31-22)

…A violent society ought… to regard its handiwork… I myself would like politicians to view [the Uvalde photographs]: to look — really look — at the shattered face of what was previously a child and to then contemplate the bewildered terror of her last moments on earth. But that would not mean that the jig is up. People, not photographs, create political change….

(Susie Linfield, “Should We Be Forced to See Exactly What an AR-15 Does to a 10-Year-Old?” NYTimes, 3-31-22)

(c) 2022 JMN — EthicalDative. All rights reserved

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‘The Small Miracle of Translation’

Daisy Rockwell, who translated “Tomb of Sand,” and Geetanjali Shree, who wrote the novel. Credit… Andrew Fosker.

The novel… is the first in an Indian language to win the International Booker Prize, and the first in Hindi to even secure a nomination… [Translator Daisy Rockwell’s] work on the book showed “the small miracle of translation,” [Frank Wynne, chair of the judges for this year’s prize,] said, borrowing a phrase from the Italian author Italo Calvino.

One of the International Booker judges called “Tomb of Sand” an “extraordinarily exuberant and incredibly playful book.”

The International Booker Prize is awarded every year to the best book translated into English and published in Britain or Ireland. It is separate from the better-known Booker Prize, awarded for novels originally written in English, but it comes with the same prize money and has helped turn some authors into stars.

(Alex Marshall, “Hindi Novel Wins International Booker Prize for the First Time,” NYTimes, 5-26-22)

(c) 2022 JMN — EthicalDative. All rights reserved

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Language Is a Weapon, Too. Keep It Sharp

… Any honest accounting shows that more of the blame for these senseless rampages lays at the feet of bought-and-paid-for politicians who have blocked any reasonable gun control measures in order to retain their own hold on power.

(Kara Swisher, “In the Texas Rampage’s Wake, Social Media Can Reform Itself,” NYTimes, 5-26-22)

When we lay fit blame at the feet of the venal, the craven and the vulpine, the blame lies at their feet.

Language standards must stand their ground. They’re all we’ve got at the moment.

(c) 2022 JMN — EthicalDative. All rights reserved

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To Whom It Concerns

Hey, you. I’ll love you every kind of always.

(c) 2022 JMN — EthicalDative. All rights reserved

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Crisis Antidote: Neighborhood Bookshops

Cecilia Fanti, owner of the Céspedes bookstore, curates the books that appear on her shelves daily. Credit… Magali Druscovich for The New York Times.

The small shops are sprouting where their readers are, in residential areas, keeping alive the rich literary scene that made Buenos Aires, Argentina’s capital, one of the cities with the most bookstores per capita in the world.

Readers at the Malatesta bookstore in Parque Chas. Small neighborhood stores became lifelines under pandemic restrictions. Credit… Magali Druscovich for The New York Times.

“Argentina may always be in crisis but there are a lot of readers,” said Cristian De Nápoli, author and owner of Otras Orillas, a small bookstore in the Recoleta neighborhood. “And they aren’t just any readers, but readers who are always in search of what’s new.”

Nurit Kasztelan at her bookstore, Mi Casa, in Villa Crespo. Credit… Magali Druscovich for The New York Times.

(Daniel Politi, “Through a Recession and a Pandemic, the Book Business Is Thriving in Buenos Aires,” NYTimes, 5-26-22)

(c) 2022 JMN — EthicalDative. All rights reserved

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The Hardest French Word to Pronounce for a Texan

“Bucked,” (detail), oil on canvas, 24×36 in. (JMN 2020)

L’aurore (the dawn)

Low roar” is the best we can do.

Governor Abbott, born kids have a right to life, too.

(c) 2022 JMN — EthcalDative. All rights reserved

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A Good Outing: Roger Angell (1920-2022)

Roger Angell at his Manhattan home. He was sometimes referred to as baseball’s poet laureate, a title he rejected; he called himself a reporter. Credit… Patrick Andrade for The New York Times.

“It is foolish and childish, on the face of it, to affiliate ourselves with anything so insignificant and patently contrived and commercially exploitative as a professional sports team,” he wrote in his book “Five Seasons” (1977). “What is left out of this calculation, it seems to me, is the business of caring — caring deeply and passionately, really caring — which is a capacity or an emotion that has almost gone out of our lives.”

The bit about “caring” serves a large dollop of sentiment. The seriousness which the spectatorship invests in professional sport looks deucedly perfervid from outside the circle of fandom.

I warm more to the Angell who said, “The stuff about the connection between baseball and American life, the ‘Field of Dreams’ thing, gives me a pain… I hated that movie.”

And the one who “once referred to Ron Darling as ‘the best right-handed part-Chinese Yale history major among the Mets starters,’” and wrote that Carl Yastrzemski, “like so many great hitters, has oddly protuberant eyes.”

(Dwight Garner, “Roger Angell, Who Wrote About Baseball With Passion, Dies at 101,” NYTimes, 5-20-22)

(c) 2022 JMN — EthicalDative. All rights reserved

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Bah-BOOM-BOOM Riff

To Her

One’s home is her castle,
a refuge from hustle
and bustle of office,
the jostle of mobs;
nest in which refuge to seek
from apostles of doom
by the wherry that’s painted on wood
on a wall of the room.

Kitchen to mortar and pestle
the herbs for the grub
that she rustles;
nook where to nestle
in comfort and wrestle with issues,
indite her epistles,
ensconced at the trestle desk
cunningly made from a door,
delight in the whistle
of blackbirds, bristle of brushes,
the thistle-and-mistletoe theme
of the rug on the floor.

(JMN)

(c) 2022 JMN — EthicalDative. All rights reserved

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‘Drawings Are the Great Teachers’

Henri Michaux, “Untitled,” a 1954 watercolor in “Take Three” of “Ways of Seeing” at the Drawing Center. Credit… Artists Rights Society (ARS), NY/ADAGP, Paris.

… The mark-making basic to drawing is the starting point of so much else: the development of written language, numbers, musical scores.

Robert Rauschenberg, “Untitled,” 1965, in “Take One” and “Take Three” at the Drawing Center. Credit… Robert Rauschenberg Foundation/VAGA at Artists Rights Society (ARS), NY.

Drawings are the great teachers; they educate the eye and make us more conscious of seeing. They present visual power, relatively unbuffered by materials or size.

Stanley Whitney, “Untitled,” 2020, exuberant grids of scribbled color in crayon and graphite, at the Drawing Center. Credit… Stanley Whitney.

(Roberta Smith, “Drawing, a Cure for the January Blahs,” NYTimes, 1-20-22)

(c) 2022 JMN — EthicalDative. All rights reserved

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They Put the ‘Art’ in Partnering

Milton Avery’s “Blue Trees” (1945) at the Wadsworth Atheneum Museum of Art in Hartford, Conn., the first retrospective exhibition of this American modernist painter in the United States in 40 years. Credit… Milton Avery Trust/Artists Rights Society (ARS), NY.

Sally Michel (1902-2003) was 17 years his junior when she married Milton Avery (1885-1965) in 1926. A painter herself, she provided income as a freelance illustrator for 30 years while he painted full time. He never had a studio, and worked in their living room.

In Milton Avery’s “Bus Ride” (1941), on view at Yares Art, the Avery family is pictured on an Amsterdam Avenue bus. Credit… Milton Avery Trust and Yares Art/Artist Rights Society (ARS), NY.

The view that Avery worked for decades to achieve a final blast of brilliance seems as antediluvian as the idea that he worked alone in a style that overpowered his wife’s work. First of all, they were more or less joined at the hip, working side by side, looking at and talking about art, for 40 years. As other art historians have suggested, it may be impossible to think of their style as anything but collaborative, especially since Michel was an illustrator, adept at abbreviating forms.

Sally Michel’s “Mother and Son” (1975) at D. Wigmore Fine Art. Her paintings, our critic says, “have a sharpness of composition and a boldness of color that gives them their own sense of weight, tension and emotional force.” Credit… Milton Avery Trust/Artist Rights Society (ARS), NY.

(Roberta Smith, “A Singular American Painter and His Perennially Disregarded Wife,” NYTimes, 5-12-22)

(c) 2022 JMN — EthicalDative. All rights reserved

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