In my Arabic grammar I encounter the preposition fiy- illustrated in a “relationship of comparison” (rapport de comparaison). Blachere’s jouissance is matA( from root m-t-( meaning “to carry away” and, in derived forms, “to enjoy.” Its usages meander through enjoyment, … Continue reading
It helps me read contemporary poetry to conjure the mindset of an athlete in the elite sport of pole vaulting. The bar sits there at a distanced height. I summon latency, coil with icy focus, charge the standards, launch myself … Continue reading
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And out comes a tenderly belabored prospect of dilapidation. Looking at a photograph I didn’t take, I painted a quaint tranche of unleveled-up Britain from the plein air of the shed I inhabit. Painting my two-bit canvases from photos lets … Continue reading
I encountered the following expression in my Arabic reference grammar: May you be ransomed by my soul! Arabic can be sublimely terse and florid in the same breath. Blachere’s example shows optative use of the perfect tense instancing how the … Continue reading
To All a Good New Year! Audrey Petty describes her first one-on-one conference with her poetry teacher Agha Shahid Ali at the University of Massachusetts. After she read her draft to him, he reviewed it and said, “What if you … Continue reading
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My approach to Clint is to grace him with a mighty hat and a bodacious cheroot. Outside the frame he’s packing heat, of course. Clint Eastwood personifies a school of movie acting whose slogan is “Don’t just do something. Stand … Continue reading
To write, first and foremost, is to choose the words to tell a story, whereas to translate is to evaluate, acutely, each word an author chooses. Thus starts Jhumpa Lahiri’s essay drawn from the afterword of her translation of “Trust” … Continue reading
When reading poetry I try to think like astronomers. They are a doughty lot, trucking with the unexpected, stalking questions that defy asking. “What I really hope for is something we don’t expect” [John Mather, Goddard Space Flight Center, on … Continue reading
Portuguese-born artist Paula Rego (b. 1935) studied at the Slade School of Fine Art, London. She lives in the UK. Quotable saying: “Doing work, that is to say, drawing, is an erotic activity.” Anna Russell writes that the urgency of … Continue reading
EthicalDative 
Wayne Thiebaud: ‘Deadpan Style of Figuration’
Wayne Thiebaud (1920-2021) is said to have painted daily to the end. He described himself as driven by “this almost neurotic fixation of trying to learn to paint.” “It has never ceased to thrill and amaze me,” he said, “the … Continue reading →