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I’ve little practice handwriting Arabic. Even less am I schooled in the monastic rigors of calligraphy. I do confess to an effort to “draw” Arabic. My models are the characters as they appear in printed texts. I savor their swoops … Continue reading
I take it on report that an English monarch is entitled to declare self-referentially, We are not amused. I amuse myself speculating whether the Queen would say We amuse ourself or We amuse ourselves at whist. In a different context, … Continue reading
A man’s word is his bond. It’s an aphorism. States a pithy truth, along the lines of, “When someone makes a promise, he keeps it.” This one floats a model of behavior, an ideal. Not a command, exactly, but it … Continue reading
(Continued from https://ethicaldative.com/2022/01/22/pronoun-rebellion-1/) Wallace Stevens said of his poem “On an Old Horn” that, if he had succeeded in saying what he had to say, the reader would get it. “He may not get it at once, but, if he … Continue reading
It’s apparent that contributors to Poetry magazine compose their own biographical snapshots, which allows for a gamut of voicings and modes of self-assertion. A grammar nerd notices how these established and establishing technicians of the word mold language to their … Continue reading
Proliferation of phrases: — A turn of speech makes my point vividly — I’ll use it. But this other phrase is pungent — I’ll use it too. Yet another is incisive; and one is innovative; and one wry; this one … Continue reading
Is the soul our dark matter — pervasive but undetectable by any instrument we possess? If there’s a part of me that isn’t glia, neurons, and enzymes, it has found a modicum of rest in the revelation that John Ashbery’s … Continue reading
This article gives a stimulating sample of Marlene Dumas’ painting. Here’s a whiff of its curatorial patter: “She is a master, in the classical sense: she makes masterpieces”… Dumas [takes] us somewhere beyond prosaic materiality… “[Faces and portraits by Dumas … Continue reading
Jenny Saville speaks in all the quotes here. Italy is a country of figuration, so I feel very at home here — but it was intimidating. I got through by really looking at Michelangelo… I started to do direct studies … Continue reading
EthicalDative 
The Absolute Superlative
Blachère (364) describes how Arabic expresses the “absolute superlative” — i.e., the uttermost degree of something, with no comparison: Par des noms au cas direct indéterminé de valeur adverbiale dont le sens primitif est paroxysme, degré suprême, rendus en franç. … Continue reading →