<p. 137> “World Breaking Apart” by Louise Glück (“Poems 1962-2012,” 2012) I don’t care if this post is preposterously long. It’s a barbaric yawp anyway. My original title for a comment about “World Breaking Apart” was “Inconclusive Antecedence.” It was … Continue reading
Wayne Thiebaud (1920-2021) is said to have painted daily to the end. He described himself as driven by “this almost neurotic fixation of trying to learn to paint.” “It has never ceased to thrill and amaze me,” he said, “the … Continue reading
In my Arabic grammar I encounter the preposition fiy- illustrated in a “relationship of comparison” (rapport de comparaison). Blachere’s jouissance is matA( from root m-t-( meaning “to carry away” and, in derived forms, “to enjoy.” Its usages meander through enjoyment, … Continue reading
It helps me read contemporary poetry to conjure the mindset of an athlete in the elite sport of pole vaulting. The bar sits there at a distanced height. I summon latency, coil with icy focus, charge the standards, launch myself … Continue reading
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And out comes a tenderly belabored prospect of dilapidation. Looking at a photograph I didn’t take, I painted a quaint tranche of unleveled-up Britain from the plein air of the shed I inhabit. Painting my two-bit canvases from photos lets … Continue reading
I encountered the following expression in my Arabic reference grammar: May you be ransomed by my soul! Arabic can be sublimely terse and florid in the same breath. Blachere’s example shows optative use of the perfect tense instancing how the … Continue reading
To All a Good New Year! Audrey Petty describes her first one-on-one conference with her poetry teacher Agha Shahid Ali at the University of Massachusetts. After she read her draft to him, he reviewed it and said, “What if you … Continue reading
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My approach to Clint is to grace him with a mighty hat and a bodacious cheroot. Outside the frame he’s packing heat, of course. Clint Eastwood personifies a school of movie acting whose slogan is “Don’t just do something. Stand … Continue reading
To write, first and foremost, is to choose the words to tell a story, whereas to translate is to evaluate, acutely, each word an author chooses. Thus starts Jhumpa Lahiri’s essay drawn from the afterword of her translation of “Trust” … Continue reading
EthicalDative 
A Confounding Clarity
Proliferation of phrases: — A turn of speech makes my point vividly — I’ll use it. But this other phrase is pungent — I’ll use it too. Yet another is incisive; and one is innovative; and one wry; this one … Continue reading →