Category Archives: Commentary

Opinion or analysis concerning whatever’s on my mind.

Poetic Researches

Posted on November 14, 2021 by JMN

Is the soul our dark matter — pervasive but undetectable by any instrument we possess? If there’s a part of me that isn’t glia, neurons, and enzymes, it has found a modicum of rest in the revelation that John Ashbery’s … Continue reading →

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Marlene Dumas: ‘Art Is Not a Mirror’

Posted on November 7, 2021 by JMN

This article gives a stimulating sample of Marlene Dumas’ painting. Here’s a whiff of its curatorial patter: “She is a master, in the classical sense: she makes masterpieces”… Dumas [takes] us somewhere beyond prosaic materiality… “[Faces and portraits by Dumas … Continue reading →

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‘mee-HIGH CHEEK-sent-me-HIGH-ee

Posted on November 4, 2021 by JMN

My title is how the NYTimes represents the pronunciation of the name of Hungarian-born psychologist Mihaly Csikszentmihalyi, who died recently in Claremont, California. He coined and popularized the term “flow” to describe a state of focused contentment in which time … Continue reading →

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Fabulousness and Traps

Posted on October 21, 2021 by JMN

Here’s a vibrant pulverization of Smith-song around the paintings of Beauford Delaney (1901-1979): Robust impasto surfaces… startling colors… visionary buzz… new kind of painterly fabulousness… sturdy realism overloaded with color… something of an Egyptian immobility… crisis-crossing strokes [sic: Is “criss-crossing” … Continue reading →

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‘A Gloriously Unsatisfied Painter’

Posted on October 7, 2021 by JMN

Brobdingnagian ocular hubbub. Colossus of hue and scream. Tympanic boom. These phrases leapt to mind — of course they did! — as I eyed Sarah Cain’s work. Confession though: Cain owns me for rejecting the term “murals” in favor of … Continue reading →

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‘Marquetry Remains Her Focus’

Posted on September 18, 2021 by JMN

In the past, Alison Elizabeth Taylor’s extraordinary wood-marquetry paintings have seemed interesting primarily for their bravura craft. Working from photographs, mostly her own, and using laser cutting (mainly), Taylor fashioned small pieces of various wood veneers into puzzle-like pieces fit … Continue reading →

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‘No path to heaven / except through this dirt’

Posted on September 16, 2021 by JMN

My title is from the poem by Philip Metres, “Never Describe the Sky as Azure,” in Poetry, September 2021. A Reservation Over the Fist Resisting the repressive Texas governocracy is of the essence. Are fisting poses ginned up for camera … Continue reading →

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‘A Way of Understanding Who You Are’

Posted on September 2, 2021 by JMN

“Human beings have always been storytellers and you use that as a way of understanding who you are, and who the people around you are, and what’s going on,” he says. “If I look back, which I don’t very often, … Continue reading →

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Sancho Panza Appreciates a Nip of Good Wine

Posted on July 30, 2021 by JMN

Sancho Panza takes a memorable pull from a companion’s proffered wineskin (“bota”) in this scene from part 2 of “Don Quijote.” Y diciendo esto, se la puso en las manos a Sancho, el cual, empinándola, puesta a la boca, estuvo … Continue reading →

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‘Hotch-Potch of the Pure and the Impure’

Posted on July 29, 2021 by JMN

Some of my most compelling reading is that which others do for me. Here is a quotation shared with me today by a blogger who consumes more good literature than I can shake a stick at. “…that there is no … Continue reading →

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