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A hoary plot line of melodrama reduces the hero and heroine to dire straits; they’ve tried everything in their power to escape doom; the soundtrack crescendos in a minor key. “Pray,” he says. “It’s in God’s hands. Only a miracle … Continue reading

On Edges and Errors
Two descriptions in this article about Cézanne are helpful for me. One concerns Camille Pissarro’s treatment of edges: Pissarro was the subtlest of the leading Impressionists, devising ways of giving distinctive presence to each part of a painting, by, for … Continue reading →