Category Archives: Commentary

Opinion or analysis concerning whatever’s on my mind.

Wide Load

Jason Farrago lavishes a container shipload of exegetical rumination on Julie Mehretu’s paintings. Lines accreted in an essentially radial configuration, with large arcs orbiting an absent central axis, and orthogonal spokes sprouting from the core. (The Mehretu black line is … Continue reading

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Clarice Beckett – The Present Moment — leonieandrews — Silicon Valley Types

“roll up your catalogue and view each picture through it. … You will be rewarded with a wonderful suggestion of light and air and sufficient detail, and finish.” So said critic Percy Leason and  fellow student of Clarice Beckett (1887- … Continue reading

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Animales/Animals

Learn Spanish Knowing Mexican Culture/Blanca Caballero Animales/Animals

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‘El Borracho’ de Joaquín Sorolla

“As if in preparation, with this deeply human painting he returned to his engagement with the Spanish peasant and, perhaps as important, to making brilliant use once more of the indispensable Spanish colour – black.” (Mark Brown, “National Gallery buys … Continue reading

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Still Life

(c) 2021 JMN

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Story Power

There is one form of power that has fascinated me ever since I was a girl… the power of storytelling. In this May, 2019 essay, novelist Elena Ferrante writes that the “Decameron” by Giovanni Boccaccio (1313-1375) made a great impression … Continue reading

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The Humble Art

I support the premise, aspirationally, that translation “involves being a writer,” to quote this article. The premise piggybacks on something I took on board long ago — that the first asset of a capable translator is to write well in … Continue reading

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‘Ethics of Translation’ (?)

As a presumptive translator I’m nagged by a sense of straying where I don’t belong. Where is my writ to translate into a non-native language, for example? I didn’t suck Spanish from mother’s teat. How can I possibly match what … Continue reading

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‘Bad Boy’ Harpsichordist

Scott Ross moved to France when he was 12 years old. He studied harpsichord and organ at the Paris and Nice Conservatories, and in 1971 won the Bruges International Competition, in Belgium. Five years before dying of AIDS in 1982 … Continue reading

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‘The Painting Just Falls Off the Brush’

… Ms. Shinoda worked primarily in sumi ink, a solid form of ink, made from soot pressed into sticks… “It is… necessary to finish one’s work very quickly. So the composition must be determined in my mind before I pick … Continue reading

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