Duking It Out With Regret

tophat

“I have said previously that it was a mistake and an error to see him after his release… I can only reiterate my regret… I was mistaken to think that what I thought I knew of him was evidently not the real person… I am at a loss to be able to understand or explain Mr Epstein’s lifestyle… I deplore the exploitation of any human being and would not condone, participate in, or encourage any such behaviour.”

(“Prince Andrew: I did not suspect Epstein’s behaviour,” BBC News App, 8-24-19)

Parsing: The Duke regrets thinking what he thought, regrets not knowing that the probationed felon whose mansions he frequented wasn’t the “real” person. The Duke is at a loss to comprehend the “lifestyle,” presumably the pimping, prostituting and pedophilia part, since the rest conforms quite closely to the royal lifestyle.

In commoner words, it did not walk like a duck, nor quack like a duck, yet, cruelly for the chastened Duke, was a duck. The blinkered royal was blindsided for years by a stealthy, camouflaged predator!

This rebuttal which can’t quite name what it rebuts resembles that of a compromised man — rant, cant and flap. But in a world in which powerful men are gentlemen (except for the dastardly dead duck), who can doubt the Duke’s regret?

(c) 2019 JMN

Posted in Commentary | Tagged , , , | Leave a comment

Please God, Net It Out!

I’ve read “Ulysses,” “War and Peace,” some of Henry James and most of Faulkner — but not recently. I’m aware I’ve just bragged, and I’m ashamed of it in a manner of speaking. These four writers aren’t known for netting it out, which is part of my point.

I don’t know if it’s a sign of the times, or a sign of mental deterioration on my part, or a sign of attention span simply having bled off into interstitial space as a consequence of our planet’s progressive degradation — most likely it’s a symphony of all of those — but, if I have to PageDown more than once in your blog’s verbiage I move on and never finish reading, saving exceptions.

It’s me, not you. Humble apologies for what I’m missing. I realize to talk this way may seem a rejection of complex thoughts that merit elaboration. Not so. It’s only resistance to simple thoughts that don’t, as well as a plea to make it impossible not to follow your thread otherwise. Pass me by as I do you if I let you down. It’s only rant.

(c) 2019 JMN

Posted in Commentary | Tagged , | 2 Comments

The Road Ahead

IMG-1519

The Road Ahead (c) 2005 Megan Treadaway. All Rights Reserved.

At age 16 Megan, a Texas native, recorded “The Road Ahead,” a CD of twelve sweet country standards. In “Waltz Across Texas” she is joined in a duet by her dad David. The CD was the fruit of their travels around the state performing in well-known venues.

Today, as Studio Manager, Megan provides vital support and guidance for creative activities here at The Shed.

(c) 2019 JMN

Posted in Album | Tagged , | 1 Comment

“Carnal Tapioca”

renoir nude2

Pierre-Auguste Renoir’s “Seated Bather,” 1883-84. Credit President and Fellows of Harvard College; Harvard Art Museums/Fogg Museum.

Recently in the NYTimes Roberta Smith wrote a spirited appraisal of the exhibition of Renoir’s late nudes at the Clark Art Institute in Williamstown, MA. Peter Schjeldahl weighs in on the topic in the latest New Yorker. It’s fascinating how Renoir’s work in this vein (which leaves me largely cold) elicits contorted responses in these two prominent critics.

At the show, part of me felt as though I were writhing on a pin: again and again the carnal tapioca, the vacant gazes, the fatuous frolic… The prehensile touch with which Renoir molds female masses with color—instead of modelling them with tonal shading—awes the eye… The work tends toward silliness but never topples into it. He can really move paint around, and his colors attain complex harmonies even as you may crave sunglasses to mitigate their screeching chromas. He’s like a house guest so annoying that you might consider burning down the house to be rid of him. Let’s not do that.

(Peter Schjeldahl, “Renoir’s Problem Nudes,” The New Yorker, 8-26-19)

(c) 2019 JMN

Posted in Quotations | Tagged , , | Leave a comment

Monkey Say, Monkey Think

“The slovenliness of our language makes it easier for us to have foolish thoughts.”

(George Orwell, “Politics and the English Language”)

(Quoted by David Streitfeld, “Paging Big Brother: In Amazon’s Bookstore, Orwell Gets a Rewrite,” NYTimes, 8-19-19)

(c) 2019 JMN

Posted in Quotations | Tagged , | Leave a comment

Methanol Republic

A Nobel laureate-in-waiting will spirit the drinkability out of antifreeze. Enlightened governments will protect their populations. Unicorns will pasture in Central America.

These potables are flagged as suspect in this article:

Guaro Montano, Guaro Gran Apache, Aguardiente Estrella, Aguardiente Barón Rojo, Aguardiente Timbuka, Molotov Aguardiente, Guaro Chonete, Guaro Cuerazo, Guaro Sacheto, Red Star Brandy, Brandy Red Barnacle, Brandy Timbuka, Brandy Molotov

(Jayme Deerwester, “Costa Rica: Tainted alcohol death toll rises to 25; 59 people affected overall,” USA Today, 8-18-19)

(c) 2019 JMN

Posted in Commentary | Tagged , , | Leave a comment

Cedric Benson (1982-2019)

cedric benson

Cedric Benson talks to the media after he was chosen by the Chicago Bears with the fourth overall pick in the 2005 NFL draft. Photograph: Adam Rountree/AP.

The death of a man in his young prime, and of his passenger on the motorcycle, is an unmixed tragedy. I have nothing but respect and condolence for all who mourn the cruel loss of these two lives.

What strikes me about this tribute to Cedric Benson published in The Guardian is the focus on his athletic record.

More than 1,000 yards in four seasons, 1,834 as a senior.
5,540 yards and 64 rushing touchdowns.
621 yards and three touchdowns through the air.
Doak Walker Award in 2004.
Drafted No. 4 by the Chicago Bears.
No. 6 on the NCAA rushing list, still No. 10 on the all-time list.
Cincinnati Bengals, 1,000-plus yards rushing in 3 seasons.
In his NFL career, 6,017 yards and 32 touchdowns.

(“Cedric Benson, NFL and Texas running back, dies in motorcycle crash aged 36,” The Guardian, 8-18-19)

And it ends. Certainly his achievement on the playing field is to be celebrated. However, given that he had retired from football some years ago, as a eulogy this recital of statistics seems somewhat algorithmic and impersonal — not, one hopes, the full measure of a life cut tragically short.

(“Cedric Benson, NFL and Texas running back, dies in motorcycle crash aged 36,” The Guardian, 8-18-19)

(c) 2019 JMN

Posted in Commentary | Tagged , , , | Leave a comment

“Ida, Not Georgia”

ida o'keeffe painting

Ida Ten Eyck O’Keeffe’s “Star Gazing in Texas,” 1938. Oil on canvas, framed. Credit Dallas Museum of Art.

Roberta Smith writes of an exhibition at the Clark Art Institute in Williamstown, Massachusetts entitled “Ida O’Keeffe: Escaping Georgia’s Shadow.” I don’t warm immediately to the work of Ida Ten Eyck O’Keefe (1889-1961), but I’m glad it has survived against challenging odds, including unkind relatives and the nastiness of Alfred Stieglitz, husband of Ida’s older sister Georgia O’Keeffe (1887-1986).

This show and its catalog reflect the exceptional scholarship of Sue Canterbury, American art curator at the Dallas Museum. The story she tells is one of loss, subterfuge and bad luck. Around 1925, Stieglitz, whose advances Ida had rebuffed, thwarted her relationship with the critic Paul Rosenfeld (1890-1946) and would later discourage New York dealers from showing her work. In the early 1930s, Georgia demanded that Ida stop exhibiting, creating a rift that never healed. In addition, more than two decades after her death in 1961, a great deal of Ida’s work was stolen from her survivors.

ida o'keeffe painting2

Ida Ten Eyck O’Keeffe’s “Variation on a Lighthouse Theme V,” about 1931-32. Credit Jeri L. Wolfson Collection.

(Roberta Smith, “Looking Twice at Renoir and O’Keeffe (Ida, not Georgia),” NYTimes, 8-8-19)

(c) 2019 JMN

Posted in Anthology, Commentary | Tagged , , , | Leave a comment

“A Saved Man”

I admire Renoir for the valor with which he carried on his work into old age, arthritic hands and all. I don’t care much for his nudes. Nor am I as fond of Boucher as he was, but I get pleasure from his comment on “Diana Leaving Her Bath”: “A painter who understands nipples and buttocks is a saved man!”

boucher diana

François Boucher’s “Diana Leaving Her Bath,” 1742. Credit Mathieu Rabeau/RMN-Grand Palais.

It’s also stimulating that “the masculine is evoked” by the package prominently displayed by the hound dog at the picture’s margin. Evoked indeed! That would have escaped my notice if Roberta Smith hadn’t pointed it out in her article.

A more interesting Renoir nude is the “Boy with a Cat,” perhaps inspired by Manet, according to Smith. As someone owned by a cat, may I say this: Doesn’t the cat steal the show a bit in this painting?

renoir boy with cat

Renoir’s “Le Garçon au Chat (Boy with a Cat),” 1868. Credit Patrice Schmidt/RMN-Grand Palais.

Smith pronounces the creature “one of the most beautiful felines in Western painting.”

(Roberta Smith, “Looking Twice at Renoir and O’Keeffe (Ida, not Georgia),” NYTimes, 8-8-19)

(c) 2019 JMN

Posted in Commentary | Tagged , , , , , | Leave a comment

Four Rules

exclamation-mark

Krugman is a Nobel laureate with a knack for being right and wry. I value him for his thinking and for his rhetoric.

Last year, after an earlier stock market swoon brought on by headlines about the U.S.-China trade conflict, I laid out three rules for thinking about such events. First, the stock market is not the economy. Second, the stock market is not the economy. Third, the stock market is not the economy.

But maybe I should add a fourth rule: The bond market sorta kinda is the economy.

(Paul Krugman, “From Trump Boom to Trump Gloom,” NYTimes, 8-15-19)

(c) 2019 JMN

Posted in Quotations | Tagged , , , , , , | Leave a comment