“In some ways what I really did was mind the store,” he told The Guardian in 2006. “When I arrived in San Francisco in 1951 I was wearing a beret. If anything I was the last of the bohemians rather … Continue reading
This is the Cubist revolution: Here, for the first time in Western art since the Renaissance, the world as we see it no longer has primacy. The picture is no longer an act of perception. It’s an act of imagination, … Continue reading
Didion once wrote, “Style is character…” Rhetorically, a “this is that” assertion that plops two abstractions around a copulative can be a facile expedient for simulating profundity. Nathan Heller comments that Didion’s observation about style has to do with “the … Continue reading
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Oneis orange, the color of Sunas she sets and rises.Twois blue, a hue Sky fakesfor inattentive irises. Threeis the olivescent greenof a certain stand of tree.Fouris a dour English colour,Marmite and chocolate fudgey. Fiveis alive with unexpected yellowlike engine oil … Continue reading
How is this doggyphile and wannabe painter not to love the rendition of a master? The art expert Frédérick Chanoit said the painting, measuring 32.5cm by 24.5cm, had been produced in 20 minutes and is an example of Manet’s technical … Continue reading
This gallery contains 1 photo.
Te pongo aquí un cuadro reciente, tonto y burlón, mal logrado por supuesto, de ejecución turbia, hiciera lo que hiciera. Está pintado sobre otro cuadro que hizo tu abuelo, mi papá. El suyo fue un desnudo masculino sentado, visto de … Continue reading
In the matter of electing to be born of illustrious forebears Alice Trumbull Mason, of Litchfield, Connecticut, chose well. Her rumbling name preserves affiliation with a “well-off family of old New England stock.” (All stock isn’t equal even where egalitarian … Continue reading
“I think that perception and comprehensible information based in truthful reality is what has been burned to the ground,” he says. “Answers are lit on fire like burning leaves in the wind. Nobody really has any facts.” Never at a … Continue reading
Ligaya Mishan’s early-December essay on cancel culture is well worth reading (“The Long and Tortured History of Cancel Culture,” NYTimes, 12-3-20). Initially, however, I was distracted from the essay itself by the paintings of Salman Toor which figure among the … Continue reading
‘The Painting Just Falls Off the Brush’
… Ms. Shinoda worked primarily in sumi ink, a solid form of ink, made from soot pressed into sticks… “It is… necessary to finish one’s work very quickly. So the composition must be determined in my mind before I pick … Continue reading →