Tag Archives: painting

Word of Thanks

This gallery contains 1 photo.

A glance tells me this blog started in April 2018. This is April 2021. An anniversary month invites breaking the fourth wall for a moment. Brokenly, the endeavor here is twofold: (1) to practice writing; (2) to practice translating. I … Continue reading →

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‘Miner of Difficult Truths’

I can study all day Alice Neel’s brushwork and modeling of flesh and features, how she gestures at her subjects’ surroundings with casual precision. Her “Carmen and Judy” has a frank, womanly exactness and searing intimacy that The New Yorker’s … Continue reading →

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‘Inter faeces et urinam nascimur’

“Between feces and urine we are born,” said Augustine in the 4th century. The bishop of Hippo’s take on parturition was that our mothers effectively defecate us from their feculent crannies. Doctrine on sex and love handed down by dour … Continue reading →

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Be Paint

… [Clement] Greenberg’s organizing idea was surprisingly simple: modern painting, having ceased to be illustrative, ought to be decorative. Once all the old jobs of painting—portraying the bank president, showing off the manor house, imagining the big battle—had been turned … Continue reading →

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Alice Neel: ‘Collector of Souls’

“I would say she was looking at two ghetto children from uptown and bringing out the beauty in us.” [Jeff Neal, on left in the portrait with brother Toby.] (John Leland, “Two Brothers Posed for a Portrait. One Lived to … Continue reading →

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Wide Load

Jason Farrago lavishes a container shipload of exegetical rumination on Julie Mehretu’s paintings. Lines accreted in an essentially radial configuration, with large arcs orbiting an absent central axis, and orthogonal spokes sprouting from the core. (The Mehretu black line is … Continue reading →

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Clarice Beckett – The Present Moment — leonieandrews — Silicon Valley Types

“roll up your catalogue and view each picture through it. … You will be rewarded with a wonderful suggestion of light and air and sufficient detail, and finish.” So said critic Percy Leason and  fellow student of Clarice Beckett (1887- … Continue reading →

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‘El Borracho’ de Joaquín Sorolla

“As if in preparation, with this deeply human painting he returned to his engagement with the Spanish peasant and, perhaps as important, to making brilliant use once more of the indispensable Spanish colour – black.” (Mark Brown, “National Gallery buys … Continue reading →

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Still Life

(c) 2021 JMN

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‘The Painting Just Falls Off the Brush’

… Ms. Shinoda worked primarily in sumi ink, a solid form of ink, made from soot pressed into sticks… “It is… necessary to finish one’s work very quickly. So the composition must be determined in my mind before I pick … Continue reading →

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