Tag Archives: style

Resistance Is Futile…

Posted on May 9, 2021 by JMN

… when it comes to quoting Matthew McConaughey. “I’ve found that a good plan is to first recognize the problem, then stabilize the situation, organize the response, then respond.” “Knowin’ the truth, seein’ the truth and tellin’ the truth are … Continue reading →

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Messing With Space

Posted on May 6, 2021 by JMN

Like a pig rooting for truffles I harvest luscious phrases from Roberta Smith’s art critiques. After “he jumped on the Color Field painting bandwagon,” Jules Olitski (1922 – 2007) created works that “mess with space and scale in a visceral, … Continue reading →

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‘Gloopy Glory’

Posted on May 5, 2021 by JMN

The paintings of 90-year-old Frank Auerbach, “last surviving member of a pathfinding generation of postwar British figurative painters,” are up my alley. Auerbach’s iterative pigment attacks are savage and astonishing, and Jason Farago is always good for a blue-streak of … Continue reading →

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‘Miner of Difficult Truths’

Posted on April 21, 2021 by JMN

I can study all day Alice Neel’s brushwork and modeling of flesh and features, how she gestures at her subjects’ surroundings with casual precision. Her “Carmen and Judy” has a frank, womanly exactness and searing intimacy that The New Yorker’s … Continue reading →

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‘Business in Great Waters’

Posted on April 17, 2021 by JMN

I jotted on the fly several snatches of phraseology that resonated with me today as I watched Prince Philip’s live-streamed funeral service on the BBC. May what power that is deal graciously with those who mourn, and those who go … Continue reading →

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‘Cry of Pain’

Posted on April 15, 2021 by JMN

Housman’s “To an Athlete Dying Young” ruefully ironizes over a lad clever enough to “slip betimes away / From fields where glory does not stay.” Novelists, though, get more mileage out of superannuated jocks — Updike’s Rabbit Angstrom, Malamud’s Roy … Continue reading →

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Be Paint

Posted on April 11, 2021 by JMN

… [Clement] Greenberg’s organizing idea was surprisingly simple: modern painting, having ceased to be illustrative, ought to be decorative. Once all the old jobs of painting—portraying the bank president, showing off the manor house, imagining the big battle—had been turned … Continue reading →

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But Also Thank the Devil

Posted on April 6, 2021 by JMN

The worst way to defeat a social or cultural ill is to declare war on it. The U.S. declares war on problems it can’t or won’t solve. The worst way to foster a social or cultural good is to declare … Continue reading →

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Wide Load

Posted on March 28, 2021 by JMN

Jason Farrago lavishes a container shipload of exegetical rumination on Julie Mehretu’s paintings. Lines accreted in an essentially radial configuration, with large arcs orbiting an absent central axis, and orthogonal spokes sprouting from the core. (The Mehretu black line is … Continue reading →

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The Humble Art

Posted on March 13, 2021 by JMN

I support the premise, aspirationally, that translation “involves being a writer,” to quote this article. The premise piggybacks on something I took on board long ago — that the first asset of a capable translator is to write well in … Continue reading →

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