Tag Archives: style

Slant-Wise Talk

Saying things that are graspably cockeyed is my kind of self-expression. Doing so skirts peekaboo obscurity and affectation constantly, but sometimes it feels like it’s working and those moments make me feel interesting. “Even your most serious problem,” [Stephen Dunn] … Continue reading

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On Edges and Errors

Two descriptions in this article about Cézanne are helpful for me. One concerns Camille Pissarro’s treatment of edges: Pissarro was the subtlest of the leading Impressionists, devising ways of giving distinctive presence to each part of a painting, by, for … Continue reading

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Robert Hollander: Scholar-Translator

Robert Hollander, Princeton Dante scholar and translator, died in April, 2021. The translation of “The Divine Comedy” which he produced in close collaboration with wife Jean Hollander (d. 2019), herself a poet, is said to be among the “smoothest” and … Continue reading

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Shows and Prose

Along comes more NYTimes torqued and taut art talk of the sort that sweeps me up. … Several gorgeous self-portraits made toward the end of his life. Their precision is astonishing… It’s clear that what most interested Ellis about ink … Continue reading

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‘A Fisherman Holds Up a Trout He Caught’

El hijo de su madre has stumbled upon an El Dorado of found poetry in the “Outdoors” fishing column of a local newspaper. Bink Grimes’s lavish rundown of the piscatory scene pulses with staccato verve, inside lingo, and riptide granularity. … Continue reading

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Adverb Rebellion

This passage from a fellow blogger (cap doff to) caught my eye: Reality? Well it starts to mock back at your face, you get surrounded by the clouds of regret, cry on the ashes of your pretentious bliss and feel … Continue reading

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Semicolon Rebellion

Use a semicolon to separate two independent clauses — i.e., two sentences that work on their own — which are closely sequential: “I finished a painting today; it went better than I thought it would.” Or in order to separate … Continue reading

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Fanfare for the Arch and Monarchic Empyrean

For fanfaronnish, pharaonic, peerlessly peeraged personnages kitted, kilted, severely coiffed and balconic in presence, shod and booted in besotted opulence, blackamoorian brooched, got up in splendid headgear, lorded lads and ladied dames garbed in emblazoned berobement, none… For sherlockian, sherwoodian, … Continue reading

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The Rock Pile

Dwight Garner’s review of a new biography of Marjorie Kinnan Rawlings* evokes a foible-wracked genius: It’s a pleasure to meet this cursing, hard-drinking, brilliant, self-destructive, car-wrecking, fun-loving, chain-smoking, alligator-hunting, moonshine-making, food-obsessed woman again on the page. The passage that hits … Continue reading

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‘A Beautiful, Pathetic Object’

It’s a pleasure to meet William T. Wiley, who moved and shook in a West Coast “funk art” scene while steering clear of wealth and fame. It’s no surprise that agreement on what exactly defined the funk art movement was … Continue reading

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