Tag Archives: syntax

‘Smidgins’: Afterthought

Posted on April 17, 2022 by JMN

A “smidgin” is an imprecise, tiny amount of something, a modest dollop. As a poem title, the jocular word is self-effacing but also coyly assertive, like a humble-brag. I got dirt under my nails the other day with Rae Armantrout’s … Continue reading →

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How Poetry Feels About Itself

Posted on April 12, 2022 by JMN

Rae Armantrout’s poem “Smidgins” fulfills an imperative of lyric, which is “Don’t be gassy.” Also another imperative, which is “Talk in riddles.” My crumpled, wrinkled / blurt / of flesh. // “Let’s face it,” / it says. * … Ravaged … Continue reading →

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On ‘Love Letter to a Dead Body’

Posted on April 2, 2022 by JMN

I’m intrigued by the tension in Jake Skeet’s [sic] poem: Its title juxtaposes love with death, and its rhythms press against the nettle-like images. The first stanza’s images are scarred and rough with “burr and sage,” “bottles” and the “cirrhosis … Continue reading →

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A Modest Proposal Regarding Neutral Reference

Posted on March 10, 2022 by JMN

They is owning he and she. Example: An athlete knows that they must train rigorously to qualify for the Olympics. It even happens when the antecedent is named and sexed. Example: Jacob has a Master of Fine Arts from Iowa. … Continue reading →

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Nosegay of ‘Droit de Seigneur’

Posted on February 25, 2022 by JMN

Consulting an Arabic dictionary involves looking up a word’s “root,” usually comprising three consonants. Words formed from the root are listed, with their translations, along with idioms in which the word occurs. What the root is may not be apparent … Continue reading →

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What ‘Self’ Goes With Royal ‘We’ and Singular ‘They’?

Posted on January 29, 2022 by JMN

I take it on report that an English monarch is entitled to declare self-referentially, We are not amused. I amuse myself speculating whether the Queen would say We amuse ourself or We amuse ourselves at whist. In a different context, … Continue reading →

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Pronoun Rebellion (1)

Posted on January 22, 2022 by JMN

It’s apparent that contributors to Poetry magazine compose their own biographical snapshots, which allows for a gamut of voicings and modes of self-assertion. A grammar nerd notices how these established and establishing technicians of the word mold language to their … Continue reading →

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Adverb Rebellion

Posted on May 23, 2021 by JMN

This passage from a fellow blogger (cap doff to) caught my eye: Reality? Well it starts to mock back at your face, you get surrounded by the clouds of regret, cry on the ashes of your pretentious bliss and feel … Continue reading →

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Semicolon Rebellion

Posted on May 22, 2021 by JMN

Use a semicolon to separate two independent clauses — i.e., two sentences that work on their own — which are closely sequential: “I finished a painting today; it went better than I thought it would.” Or in order to separate … Continue reading →

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‘Kate Is There in the Shadows’

Posted on November 17, 2020 by JMN

Here is narrative from a 1960 American novel. A character ascends a staircase to the mezzanine of a house to join another person there: There comes to me in the ascent a brief annunciatory syllable in the throat stopped in … Continue reading →

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