Author Archives: JMN

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About JMN

I live in Texas and devote much of my time to easel painting on an amateur basis. I stream a lot of music, mostly jazz, throughout the day. I like to read and memorize poetry.

Asked and Answered

“The American press is infatuated to the point of intoxication with ‘democracy,’ ” [Buchanan] wrote in 1991. To make his point, he compared the Marine Corps and corporations like IBM to the federal government. “Only the last is run on … Continue reading

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Chasing Command: The Kicker

Statistic: Forty-nine of the 50 highest-scoring players in American football history are kickers. “And the first ball comes off my foot like a rocket, and then the next one and the next,” he says. “I just felt like I had … Continue reading

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Romancing ‘Gilgamesh’s Snake’

The transliterations bracketed below are mine. In them, tā’ marbūṭa is ẗ, and I show the lām of the article as assimilated to a following solar letter. For example: [‘ayyuhā-s-sayyidu] instead of [‘ayyuhā-l-sayyidu]. My character set, contrived to avoid digraphs, … Continue reading

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Soot, Spit and Paper

James Castle (1899 – 1977) was born deaf in rural Idaho, and seems never to have learned to read and write. Formally untrained, he “dedicated his life to making art among the farms and ranches in and near Boise.” His … Continue reading

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(Not) Learning to Read

The most important thing schools can do is teach children how to read. If you can read, you can learn anything. If you can’t, almost everything in school is difficult. Word problems. Test directions. Biology homework. Everything comes back to … Continue reading

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‘The Reader Effect’

… Like a scene from Mr. Rushdie’s novel “Shalimar the Clown,” a knife-wielding man rushed onto the stage and began to stab him. Immediately audience members ran to the stage to defend him. It was a remarkable response. That rush … Continue reading

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Fixing to Start Something With ‘Gilgamesh’s Snake’

Ghareeb Iskander is an Iraqi writer who lives in London. HIs book of poems in Arabic, “Gilgamesh’s Snake and Other Poems,” was published by Syracuse University Press in 2016. The English translations are the work of Scottish poet John Glenday … Continue reading

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‘Writing a Chrysanthemum’

On scrolls of Japanese paper each 19 feet in length, Barton documented the underbelly of San Francisco’s North Beach neighborhood before the hippies showed up… A friend and fellow artist recalled that Barton began a portrait with the sitter’s fingernail… … Continue reading

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‘Because You See His Teeth, Don’t Assume the Lion Is Smiling’

The comment about the unsmiling lion is attributed to the 10th-century Arabic poet al-Mutanabbi (915 – 965). I heard it on a podcast called “Arabic Qahwa.” The line has a zesty zing to it that marks it as an old … Continue reading

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Translating Conceived as Sketching

I wonder if a translation of a poem can be compared to a sketch of a painting? The sketcher recreates aspects of an original art work in a different medium, say pencil. Words are the translator’s medium. She uses those … Continue reading

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