Author Archives: JMN

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About JMN

I live in Texas and devote much of my time to easel painting on an amateur basis. I stream a lot of music, mostly jazz, throughout the day. I like to read and memorize poetry.

Soot, Spit and Paper

James Castle (1899 – 1977) was born deaf in rural Idaho, and seems never to have learned to read and write. Formally untrained, he “dedicated his life to making art among the farms and ranches in and near Boise.” His … Continue reading →

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(Not) Learning to Read

The most important thing schools can do is teach children how to read. If you can read, you can learn anything. If you can’t, almost everything in school is difficult. Word problems. Test directions. Biology homework. Everything comes back to … Continue reading →

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‘The Reader Effect’

… Like a scene from Mr. Rushdie’s novel “Shalimar the Clown,” a knife-wielding man rushed onto the stage and began to stab him. Immediately audience members ran to the stage to defend him. It was a remarkable response. That rush … Continue reading →

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Fixing to Start Something With ‘Gilgamesh’s Snake’

Ghareeb Iskander is an Iraqi writer who lives in London. HIs book of poems in Arabic, “Gilgamesh’s Snake and Other Poems,” was published by Syracuse University Press in 2016. The English translations are the work of Scottish poet John Glenday … Continue reading →

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‘Writing a Chrysanthemum’

On scrolls of Japanese paper each 19 feet in length, Barton documented the underbelly of San Francisco’s North Beach neighborhood before the hippies showed up… A friend and fellow artist recalled that Barton began a portrait with the sitter’s fingernail… … Continue reading →

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‘Because You See His Teeth, Don’t Assume the Lion Is Smiling’

The comment about the unsmiling lion is attributed to the 10th-century Arabic poet al-Mutanabbi (915 – 965). I heard it on a podcast called “Arabic Qahwa.” The line has a zesty zing to it that marks it as an old … Continue reading →

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Translating Conceived as Sketching

I wonder if a translation of a poem can be compared to a sketch of a painting? The sketcher recreates aspects of an original art work in a different medium, say pencil. Words are the translator’s medium. She uses those … Continue reading →

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‘There Are No Bright Lines Here’

Tish Harrison Warren, an Anglican priest, describes a recent baptismal service: Baptisms at our church are a mixture of solemnity and unbridled glee, often full of laughter and tears of joy. Those who were being baptized, or in the case … Continue reading →

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Some Days I’m Angry AND Disappointed

Those are stay-big-picture days: paint, write, read, think about language. If gender is fluent, so are the other language markers which assert us. What if I don’t always identify as a first person? I may feel like a you, for … Continue reading →

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Versicles & Dangleberries

Wrath of ThronesThee 8TH of Henrys did decreebad wyves &&& Thomases must meet their Heav’nly Fodder sharpishly,ahead of shedjewel, toote sweet.***** Thee Archfellowe of Hi KirkFor proper fayth Thee others beeBeelzebubbish,don’t ye see?**** Saint Peete Monarkee & Papacee a-sittin’ in … Continue reading →

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