Author Archives: JMN

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About JMN

I live in Texas and devote much of my time to easel painting on an amateur basis. I stream a lot of music, mostly jazz, throughout the day. I like to read and memorize poetry.

Trees

Below are excerpts from Françoise Mouly’s interview with artist Christoph Niemann. I became obsessed with drawing trees when I was a teen-ager. I took the same approach as I did when learning to draw the human body—trying to understand the … Continue reading →

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Praise Be!

“Jesus Is My Air Plane”: When a great title meets its maker. A big, juicy exhibition at the Virginia Museum of Fine Arts turns an embracing eye on Black artists in the American South. (Holland Cotter, “Art Meets Its Soundtrack … Continue reading →

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Jane Kaufman

The savory quotation that leaps from this obituary of artist Jane Kaufman (1938 – 2021) is from Holland Cotter’s review of a 2008 retrospective at the Hudson River Museum in Yonkers, N.Y. “It’s funky, funny, fussy, perverse, obsessive, riotous, accumulative, … Continue reading →

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Pausing to Remark

A former associate stumbled upon this blog recently and wrote to me. She had read some older posts in which I challenged certain language practice encountered in published articles. It’s true I experimented for a time with adopting the persona … Continue reading →

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‘Art Has Many Mansions’

The NYTimes, as well, has sumptuous reportage on this exhibit of Medici-sponsored artworks. The portraits have a preternatural technical brilliance that’s otherworldly. “Laura Battiferri,” fingering her legible volume of Petrarch, is a creature contrived from mannerist lunacy. An interesting wrinkle … Continue reading →

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The Moncrieff Proust

C. K. Scott Moncrieff (1889 – 1930) published the early-twentieth-century English version of Marcel Proust’s “A la Recherche du Temps Perdu.” Adam Gopnik reviews the first full-length biography of Moncrieff by Jean Findlay, “Chasing Lost Time: The Life of C. … Continue reading →

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‘This Is a Rooster’

Don Quijote’s reference to Orbaneja the Painter stuck with me fondly over the years. It’s as savory now on second reading as it was on first. … Orbaneja el pintor de Úbeda, al cual preguntándole qué pintaba, respondió: <<Lo que … Continue reading →

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Worse Than God Made Us

… Cada uno meta la mano en su pecho, y no se ponga a juzgar lo blanco por negro y lo negro por blanco; que cada uno es como Dios le hizo, y aun peor muchas veces. (Sancho Panza, “Don … Continue reading →

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Corn Fusion

“Poems should be written rarely and reluctantly, / under unbearable duress and only with the hope / that good spirits, not evil ones, choose us for their instrument.”(Czeslaw Milosz) I get Ian McEwan and EwanMcGregor mixedup why I askmyself is … Continue reading →

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UK Sculptor: Hard Row to Hoe

It will be [a shrine], but not for art lovers. Or for anyone who is easily embarrassed. Perhaps not even for Diana’s sincerest believers, for the statue group’s emotive symbolism is undermined by its aesthetic awfulness. In style it breathes … Continue reading →

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