Author Archives: JMN

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About JMN

I live in Texas and devote much of my time to easel painting on an amateur basis. I stream a lot of music, mostly jazz, throughout the day. I like to read and memorize poetry.

‘Burden of Representation’

Roberta Smith writes of the Rothko painting that it “presents a glowing stack in brown, red and black on a red ground.” She describes the Church painting as “an expanse of shockingly deep red sky with a little sun peeping … Continue reading →

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Pronounce This!

Wrangling among logocrats in the Anglo-Empyrean over how to pronounce something in the common language that separates us is good for a brief detox from the trumpical pandemia. In August a Twitter-turd toss from Down Under landed on National Public … Continue reading →

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Fewer Miracles, Less Time

Beatification occurs when the Pope declares a dead person to be in a state of bliss. It permits public veneration and is the first step towards canonization. Canonization occurs when the Roman Catholic Church officially admits a dead person into … Continue reading →

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Knots Bound XCVII

[XCXVII]Hay que volar en este tiempo, ¿a dónde?One must fly at this time, to where?Sin alas, sin avión, volar sin duda:With no wings, no airplane, fly without doubt:ya los pasos pasaron sin remedio,already the footsteps passed by irredeemably,no elevaron los … Continue reading →

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“That Was Now, This Is Then”

The very title of Vijay Sheshadri’s volume of poems, reviewed by David Orr, has the jewel-beam of poetic crystal to it. I keep rolling it on my tongue, as if it makes some kind of sense of the moment. Orr’s … Continue reading →

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Pithy Gristle

David Orr reviews Vijay Sheshadri’s volume of poems “That Was Now, This Is Then” (Graywolf Press). Reviewers who are poets are especially equipped with spicy pronouncements. Poetry has a long, proud history of acting as if readers don’t exist. Often … Continue reading →

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Incandescent Kandinsky

I’ve lost the article from which I clipped this painting — something about vicissitudes and provenance. No matter, the painting is the thing. It trips and snares me. It’s like a knotty, naughty doodle done with psychedelic syrups from a … Continue reading →

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‘High-End’ Jinks in ‘Opulent’ Joints

Ninety-one people broke the state’s 50-person limit at an October wedding held at the North Fork Country Club in Cutchogue, NY. Afterwards, 30 tested positive for the virus and 156 wound up quarantined. In a second New York event in … Continue reading →

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Less Majesty

Lèse-maj·es·té: “the insulting of a monarch or other ruler.” Oliver Dowden, the UK culture secretary, wants Netflix to play a “health warning” before The Crown so viewers are aware that the historical drama is a work of fiction. “It’s a … Continue reading →

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Pictures Matter

Richard Frishman is a photographer based near Seattle. You can follow his work on Instagram. (Photographs and Text by Richard Frishman, “Hidden in Plain Sight: The Ghosts of Segregation,” NYTimes, 11-30-20) (c) 2020 JMN

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