Author Archives: JMN

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About JMN

I live in Texas and devote much of my time to easel painting on an amateur basis. I stream a lot of music, mostly jazz, throughout the day. I like to read and memorize poetry.

The ‘Tintanic’ Runs on Octopower

I have a fictitious acquaintance with the Chichester locale via Sir Alistair Chichester of Chichesterton-upon-Hogg. There’ll always be a Britain in my fancies. (c) 2020 JMN

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Protecting the Male

(c) 2020 JMN

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Slackoff from Windbaggage

Art Spiegelman’s comment below, encountered on the fly as if on zoom wings, has helped me realize that this latest painting is just wrong: grotesque in subject, torpid in execution, and the end of a line. Fury and disgust can … Continue reading

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‘Blurred Stupid Dulled’

Hilma af Klint inspires a certain perfervid evangelism which is diluted in this article by careless editing. The article cites a beautiful film by Halina Dyrschka about the visionary artist’s astonishing work. The beguiled film maker contracted [sic] MoMA to … Continue reading

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Amy Sillman: The ‘Facticity’ of Paint

… [Amy Sillman] has helped lead the charge over the last decade for a reinvigorated mode of abstraction, alongside colleagues like Laura Owens, Julie Mehretu, Joanne Greenbaum or Jacqueline Humphries. These painters, mostly women, have reclaimed the potency of active … Continue reading

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‘A Fond Infected Look’

A novelist’s prose can crowd poetry turf with an ineffability that thwarts paraphrase. Of his mother a protagonist says: “Ten minutes she will spend in the kitchen working with her swift cat-efficiency, then out and away with the children, surging … Continue reading

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‘Whenever I Feel Bad…’

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Whenever I feel bad, I go to the library and read controversial periodicals. Though I do not know whether I am a liberal or a conservative, I am nevertheless enlivened by the hatred that one bears for the other. In … Continue reading

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Shoes, Cans, Clocks, Bricks… and Hoods

This article describes Philip Guston (1913-1980) as an “artist’s artist” whose “deceptively simple subjects and emphatic brush strokes” influenced many painters of our era. … Part of the reason he is embraced by artists in the current moment is that … Continue reading

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Fiendish Moderator (!)

“Everyone agrees Tuesday’s debate was a train wreck. A major contributing factor was the moderator Chris Wallace repeatedly interrupting to try to help Joe Biden.” Texas U.S. Senator Ted Cruz (R) (c) 2020 JMN

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Joy Sails

Painting is a way of providing a balm, to artist and viewer alike, in a calamitous era. “We live in almost Old Testament times, with plagues and insane kings,” says [André] Gregory. “It’s crucial that we look at those things … Continue reading

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