Category Archives: Quotations

Things people said.

‘A Beautiful, Pathetic Object’

Posted on May 10, 2021 by JMN

It’s a pleasure to meet William T. Wiley, who moved and shook in a West Coast “funk art” scene while steering clear of wealth and fame. It’s no surprise that agreement on what exactly defined the funk art movement was … Continue reading →

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Resistance Is Futile…

Posted on May 9, 2021 by JMN

… when it comes to quoting Matthew McConaughey. “I’ve found that a good plan is to first recognize the problem, then stabilize the situation, organize the response, then respond.” “Knowin’ the truth, seein’ the truth and tellin’ the truth are … Continue reading →

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Messing With Space

Posted on May 6, 2021 by JMN

Like a pig rooting for truffles I harvest luscious phrases from Roberta Smith’s art critiques. After “he jumped on the Color Field painting bandwagon,” Jules Olitski (1922 – 2007) created works that “mess with space and scale in a visceral, … Continue reading →

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‘Gloopy Glory’

Posted on May 5, 2021 by JMN

The paintings of 90-year-old Frank Auerbach, “last surviving member of a pathfinding generation of postwar British figurative painters,” are up my alley. Auerbach’s iterative pigment attacks are savage and astonishing, and Jason Farago is always good for a blue-streak of … Continue reading →

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How Are Posh Men Educated?

Posted on May 4, 2021 by JMN

…The vanities of posh men… centre on an ancient system that trains a narrow caste of people to run our affairs…. Ever questing to penetrate British lingo, I wobble over “public” versus “private” education in the kingdom’s parlance. In my … Continue reading →

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The Wrath of Divines

Posted on April 30, 2021 by JMN

Like cartooning, the act of translation has proven dangerous at times. For his role in putting Christian scriptures into English, John Wycliffe’s long-dead bones were dug up, burnt, and chucked into the river by order of churchmen. … The act … Continue reading →

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‘Miner of Difficult Truths’

Posted on April 21, 2021 by JMN

I can study all day Alice Neel’s brushwork and modeling of flesh and features, how she gestures at her subjects’ surroundings with casual precision. Her “Carmen and Judy” has a frank, womanly exactness and searing intimacy that The New Yorker’s … Continue reading →

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Native ‘Son’

Posted on April 16, 2021 by JMN

A chance juxtaposition of readings* has suggested to me the perennial nature of America’s brutish policing streak. In 1941, Richard Wright’s manuscript novel “The Man Who Lived Underground” is rejected by publishers who are made queasy over scenes of violence: … Continue reading →

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‘Cry of Pain’

Posted on April 15, 2021 by JMN

Housman’s “To an Athlete Dying Young” ruefully ironizes over a lad clever enough to “slip betimes away / From fields where glory does not stay.” Novelists, though, get more mileage out of superannuated jocks — Updike’s Rabbit Angstrom, Malamud’s Roy … Continue reading →

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Be Paint

Posted on April 11, 2021 by JMN

… [Clement] Greenberg’s organizing idea was surprisingly simple: modern painting, having ceased to be illustrative, ought to be decorative. Once all the old jobs of painting—portraying the bank president, showing off the manor house, imagining the big battle—had been turned … Continue reading →

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