Tag Archives: criticism

Messing With Space

Posted on May 6, 2021 by JMN

Like a pig rooting for truffles I harvest luscious phrases from Roberta Smith’s art critiques. After “he jumped on the Color Field painting bandwagon,” Jules Olitski (1922 – 2007) created works that “mess with space and scale in a visceral, … Continue reading →

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‘Miner of Difficult Truths’

Posted on April 21, 2021 by JMN

I can study all day Alice Neel’s brushwork and modeling of flesh and features, how she gestures at her subjects’ surroundings with casual precision. Her “Carmen and Judy” has a frank, womanly exactness and searing intimacy that The New Yorker’s … Continue reading →

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Be Paint

Posted on April 11, 2021 by JMN

… [Clement] Greenberg’s organizing idea was surprisingly simple: modern painting, having ceased to be illustrative, ought to be decorative. Once all the old jobs of painting—portraying the bank president, showing off the manor house, imagining the big battle—had been turned … Continue reading →

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Wide Load

Posted on March 28, 2021 by JMN

Jason Farrago lavishes a container shipload of exegetical rumination on Julie Mehretu’s paintings. Lines accreted in an essentially radial configuration, with large arcs orbiting an absent central axis, and orthogonal spokes sprouting from the core. (The Mehretu black line is … Continue reading →

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‘Certitudes’

Posted on January 31, 2021 by JMN

This is the Cubist revolution: Here, for the first time in Western art since the Renaissance, the world as we see it no longer has primacy. The picture is no longer an act of perception. It’s an act of imagination, … Continue reading →

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‘Burden of Representation’

Posted on December 11, 2020 by JMN

Roberta Smith writes of the Rothko painting that it “presents a glowing stack in brown, red and black on a red ground.” She describes the Church painting as “an expanse of shockingly deep red sky with a little sun peeping … Continue reading →

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‘Explicit and Mysterious’

Posted on November 12, 2020 by JMN

I’m a child of ranchers. Because of how misshapen and reactionary mythic cowboy culture is in America, I’m a fool for painting that introduces what Roberta Smith terms the “subversive theme of the gay black cowboy.” And as usual, Ms. … Continue reading →

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A Hopper Reveal

Posted on September 30, 2020 by JMN

It’s interesting to see instances of a teenage Edward Hopper’s copying of other artists, the more so as it touches on the reputation he cultivated “as an artist whose innate genius allowed him to emerge on the scene without a … Continue reading →

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The Gargoyles’ Grin

Posted on August 30, 2020 by JMN

In 1915, Wallace Stevens offered Harriet Monroe, founder of Poetry (the magazine), several poems that included Disillusionment of Ten O’Clock. “She returned them… finding them ‘recondite, erudite, provocatively obscure… all with ‘a kind of modern-gargoyle grin to them,’” writes Stevens … Continue reading →

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Prosodic Moments in Poeisis

Posted on August 23, 2020 by JMN

In English, the difficulty of perceiving even brief isosyllabic lines as rhythmically equivalent is aggravated by the inordinate power of stressed syllables… The mashup of mystification about versifying that’s available online furnishes what I call Prosodic Moments — when phraseology … Continue reading →

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