This gallery contains 1 photo.
From The Shed Art Studio Collection. (c) 2020 JMN
Her art began as an experiment in color blocking, the pairing of contrasting tones, and it got even leaner as she went along. “I just kept simplifying, simplifying,” she said. “I dropped the form and kept the line.” “I’m working … Continue reading
I’m struggling. My remote interlocutor in life of the mind is keeping me afloat insofar as having a rational dialog with someone. But that dialog is private. Of the muchness on my mind, I’m conflicted as to which of it … Continue reading
The essay is “On Drawing” by poet Michael Burkard (Poetry*, July/August 2020). Mary Hackett was “a self-taught artist who spent much of the year in Provincetown [Massachusetts].” Michael Burkard writes of striking up a friendship with her while on an … Continue reading
In 2019, the Serpentine Sackler Gallery in London hosted the first international retrospective of Ms. Hurtado’s art, “I Live I Die I Will Be Reborn.” Reviewing it in The Guardian, Adrian Searle wrote, “Vitality, tenderness, spookiness, intimacy, gawkiness, sexiness, subtlety, … Continue reading
The Kunsthaus Bregenz in western Austria exhibits “Unprecedented Times,” comprised mostly of works produced by artists as the virus spread and they sheltered in place this year. The only work created pre-pandemic is by the Austrian artist Markus Schinwald, who … Continue reading
“Stretched by an unholy desire to be outrageous.” More than I care to admit, my pleasure in reading art criticism can amount to quivering at a splash of brandished lingo. I also quiver to Kahn’s paintings, which remind me of … Continue reading
The Belgian painter Luc Tuymans, a friend of Mr. Marshall’s, noted that he is an intensely “deliberate” painter, and that Audubon’s obsessive meticulousness would naturally have appealed. These decorative paintings of artificial flowers, flightless birds and exquisitely rendered birdhouses have … Continue reading
When Dalí, who died in 1989, finished the project [illustrating the “Divine Comedy”], he had completed 100 watercolors for the poem’s 14,233 lines: 34 illustrating Inferno, 33 illustrating Purgatory and 33 illustrating Paradise. Then, over several years, artisans carved 3,500 … Continue reading
‘Manlift’!
The locale in which these paintings hang reminds me of the shed I inhabit on a smaller scale. The old grain tower retains “a wood, steel and rubber contraption ascending through a chute in the ceiling” with a sign reading: … Continue reading →